It’s funny to think that this is Alexander Tucker’s first Latitudes session, as he’s always felt like a part of the Southern family. From being one of the driving forces behind the first release on Latitudes (Ginnungagap) to providing artwork, playing on the same bills or collaborating with musicians in our stable, Alex has also felt like a fellow walking the same path as us, and has been top of our list to do a session since we started the series.
What Alex does is pretty close to musical alchemy. Carefully constructing and layering fully orchestrated pieces from deceptively simple beginnings using guitar, mandolin, cello and most importantly his voice. It’s his voice which has always set him apart from other psych/folk explorers for me: wonderfully English and simultaneously otherworldly, something of his humble and extremely thoughtful nature comes through his self-harmonising and often wordless refrains. Along with a playful sense of humour you can sense something quite melancholy at its core.
Live, watching Alex loop and build his work is never less than fascinating and this studio session has succeeded in capturing some of this subtle magic. And, as in many of his live performances, Alex has been well-served by the people with whom he collaborates. Here, Duke Garwood’s clarinet weaves around the brooding, building tracks, and towards slow-boiling crescendos while Harvey Birrell’s characteristically well-judged production never spills over into the consciousness of the listener.
The Latitudes session with Decomposed Orchestra makes a beautiful companion piece to Alex’s excellent albums on ATP – the open ‘anything goes’ format sees him explore much longer compositions and pushing himself in a more psychedelic / freak-out direction. This recording will no doubt serve as an important documentation of this point in the evolving opus of this incredibly talented performer and songwriter.
Quadtych Volume One presents Parts One and Two of Cam Deasʼ colossal Quadtych for 12 string guitar, a four part piece spanning over 70 minutes in total.
Recorded in one evening at Londonʼs Roundhouse in December 2010 by Jack Allett, though over a year and a half since its initial sketches, it is his first composed work for 12 string guitar since the 2009 split tour LP with Spoono/Jack Allett on Blackest Rainbow.
Walden Pond's Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Following the limited vinyl-only album InsÃ³nia released in 2009 on German label Humming Conch, Walden Pond's Monk is the first album from Sousa released worldwide on both CD and LP formats.
Neverest Songs is the alias of Margate based multi-instrumentalist and songwriter Luke Twyman, who is set to release his debut, double A-side single Paper Trumpets/Softly, Quite Softly, Quite Softly through independent label Tea At Yours.
Initially working in a humble home studio set-up, early 2005, Twyman began to harness his talent, before starting work on his debut album Small Voyages, in late 2008. Undertaking a small voyage of his own, Twyman travelled to New York to record the piano parts, with friend Rick Warren and by late 2009 twenty-four songs were complete, and the final thirteen tracks selected. Small Voyages was released as part of the Unlabel catalogue, in early 2010.