Tim Catlin & Machinefabriek – Patina (Vinyl)
Limited edition white vinyl LP packaged in a two-tone matt sleeve. Pressed at Record Industry in the Netherlands for optimum sound quality…
‘Patina’ comes via influential Nottingham label Low Point and features Australian sound artist Tim Catlin, along with the prolific Rotterdam based Rutger Zuydervelt, appearing here under his Machinefabriek moniker…
Only 1 left in stock
When embarking upon the recording process for Patina, Caitlin and Zuydervelt continued the method practiced on their previous work, Glisten, Catlin beginning with electric sitar and guitar, exploring an array of techniques and approaches in order to capture his wanted sound. This raw material was then forwarded to Zuydervelt, who added his own ideas, overdubs and sequencing along the way. The result of these efforts is two pieces around eighteen and fifteen minutes respectively, containing a number of subtle movements which bleed into each other and explore an expansive sonic territory.
Side A opens with gentle ambient loops which are stylistically quite similar to Machinefabriek in tone and are marred by glitches and static, with short bursts of noise throughout. As the minutes pass however, Catlin’s influence makes itself known, at first almost imperceptibly but with increasing frequency, in particular when the chiming tones which presumably originate from treated electric sitar appear. The remainder of Side A is driven forward by harsher sounds, which hit apex towards the final minutes and drop into delicate chiming melodies to see out the piece.
Side B begins slowly and opens up over some minutes with long drones, the music here more challenging and abstract than on the previous side. As the music progresses with carefully sculpted noise, a beat of distinct timbre is improvised, lending a strong rhythm which punctuates the noise. The final moments of Patina are dominated by casual melodic wanderings which though feel almost an afterthought, are a fitting close to the album.
Patina is an intelligent and engrossing work which imparts a feeling of being composed with care, rather than the product of improvised jamming. Both sides of Patina are accessible and amongst the subtle ambience and experimental tones there is a wealth of melody and sound for the listener to get lost within. Fans of Catlin and Zuydervelt’s past work as individuals or collaborators will enjoy Patina and it is another strong work for both artists’ catalogue.