‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.
David Ya’s drone & field recordings experience introduces the new serie “Thought For The Day”. The visionary composition let you immerse into a very far and very ancient journey…
ED.001 is a limited edition to 100 copies.
Composition, field recordings, mastering and package designed by David Ya.
Photography by nasa/jpl-caltech and David Ya
Limited to 100 copies worldwide. 3″ cd-r comes with download code in gorgeous letterpress cardstock…
Piano Vert is an installation piece for three concentric tape loops; 8, 9 and 10 feet long. Three short piano patterns are cut into loops from an extended piece and played back simultaneously with minimal live adjustments. The first in szilárd’s “colourpalette” loop series.
Letterpress by Ben Owen @ Middle Press, Brooklyn.
Mastered by Greg Davis.