From Rebirth and a four track recorder in the year 1999 to broken tape machines, untuned guitars/synths and extreme signal processing an eternity later, Terminal Sound System has remained the primary musical outlet for musician/producer Skye Klein.
It is about stories. There is a narrative, albeit disjointed. Tends to come in threes, like dramatic characters; introduction, exploration, disintegration. It’s about stories, creating a world with sound and words and exploring that until it (inevitably) folds back on itself and starts to self-reference, decay, but also sprout appendages, potentialities.
As a sort of pantheist, or at least an artist who finds great stories hiding in the vast visual subtleties of nature – Subtle Trees is a classical music collage as much as it is an homage to classical music. It’s core is created through sounds gathered in the owl hours by sampling ancient instruments whose cores were derived from the trees of nature. These sounds were layered like lichen on an ancient pantheistic sculpture.
Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010.
The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response.
The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.
Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.