Packaged in usual Tartaruga style, this releases features stunning artwork from Louis Caldarola. A two-colour screenprinted card sleeve in black and purple is stitched together with green thread.
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There’s always been a touch of transatlantic symmetry between ourselves and Tokyo Bloodworm, and so it seems fitting that the labels long playing swansong should be played out so beautifully by them.
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Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.
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This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
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