Pro-duplication and imprinting in black ink on clear shells with gold foil liners. Edition of 200 on high bias tape…
On the A side is a new track commissioned specifically for close/far recordings. Sig. to Ether Error seems to channel a distant astral oratorio. Slowly your mind’s eye is activated and begins to build its own temple. Reconciling the synthetic with the organic, Raglani coaxes a state of concord between himself and his circuitry.
On the B side the primary sound source is an electronic unit, the Meridian Box, custom designed and built by Joseph Kramer. It consists of six oscillators with independent pitch controls and electrodes controlled by body resistance. Otherness Figments immediately sweeps you into its current, enveloping your body with hum and crackle. Punctuated by blasts and tears in time, jarring moments begin to smear and stretch. As you pan across your barren destination, mirages dance across the landscape. Abruptly, your Dionysian journey ends in repose.
Bloodred c60 + c40 tapes, handstamped / inked in blackHandcut, dyed + scored custom chipboard O-cards / insertHandstamped red 8.5″ by 8.5″ insert with black letteringHandnumbered & stamped in roman numeralsScreenprinted artwork by D.S. Ciarán
There is a stench here so old that it rids the body of any uncertainty. It is a comfortable rapture. The stench comes not from distant swamps, putrescent and green in their small wakes, or the mounds of bone matter and meat made dust underfoot. This waft of hidden and yet all-too demanding treasures lifts itself steadily from the bated, beating wings of the Bird, on its eternal voyage somewhere far past home.
Limited to 125 copies: red c50 cassette shells with black imprinted ink // full colour J-cards with photography by Kate Kell // plastic norelco cases with shrinkwrapping // artwork & layout by Amanda Boutourline and D.S. Ciarán
C32 – black cassette / clear flexy polycase / cover printed on Risograph – blue/orange fluo / limited to 100 copies…
Magic Towers is a duo born in Vittorio Veneto and active from summer 2010: two nomad and egocentric knights. They use synths, delays, tape echoes and space sounds in order to compose or improvise ambient and delayed atmospheres and trips. The project is based on the inner observation and the visual contemplation of the sound. The image of the Tower – connected on one hand with the journey, the passage and the transit, on the other with the static position – reflects the attitude of MT: an observer looking for the right observation point. Space ambients, rhythms from the deep, melodic inserts and an evil beat out: in contemplation of the immense Void.
N4: recorded in Milano during the All Soul’s Day 2011.
It’s the fourth part of the “Magic Trips” series.
Breaking Day is the second full-length album from Cleared, the Chicago-based duo of Steven Hess and Michael Vallera. While their self-titled debut album (Immune 014, Jan 2011) found the duo exploring themes of stasis and texture, Breaking Day represents a huge development in the scope and overall style of the project. Where previous material had been slowly assembled from dozens of individual recordings and experiments, this new collection of songs was born from the raw documentation of Clearedâ€™s live performance in the studio. Elements of noise, drone, and psychedelia are filtered through a dark, unifying lens that ranges from relentless rhythmic assault to monolithic tonal sculpture. Dueling rhythms of drums and sampled percussion, walls of undulating soundscapes, and hypnotic guitar are deployed with heightened intensity and force. If Clearedâ€™s first record presented a frozen, gray-washed realm of ambient sound, Breaking Day represents its inverse: A blackened subterranean space of alien movement and activity; a premonition of an assault from the unknown.