Phil Tomsett & The Inventors of Aircraft – The Last Things
£15.00
Another elegant addition to our jackdaw-style series, this 3 disc set is partly inspired by the novella “In the Country of Last Things” by Paul Auster. Journeying from a chaotic and poisoned metropolis to the foreboding loneliness of the countryside, “The Last Things” presents a personal struggle through hum, thunder and dread. The collection plays out as if the book itself has been buried deep in the ground and unearthed many years later, the soil having transformed the words into fragments of sound.
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Strië – Õhtul (Deluxe CD)
CD, Deluxe, Sale
Each of these gorgeous deluxe versions, in this edition of 100, will come in a fused double envelope package, comprised of two 6.5″ square, Midnight Black envelopes. Each of these envelopes will be hand worked/stamped/artified in the usual TRS manner…in one of them will come the black digipak in it’s own translucent envelope, also stamped, and in the other half of the package will come a set of three banded 4″ x 6″ hand printed color prints, on 300lb Moab Rag Natural paper, with accordingly mysterious quotes/Strieisms, and a 4″ x 6″ unassembled jigsaw puzzle also in it’s own translucent envelope featuring, as far as we know, the only somewhat recent picture of Ms Reinhart in existence. Strie is a puzzle..and is being released as such…
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FareWell Poetry – Hoping for the Invisible… (Deluxe Vinyl)
Deluxe, Sale, Vinyl
Deluxe LP includes download code, 8 page booklet, 12″x12″ exclusive art print on recycled board from Alice Lewis, three small art prints, postcard.
‘Hoping for the Invisible to Ignite’ was recorded and mixed between Paris, Normandy (FR) and Saint-Margaret of Antioch Church in Leeds (UK), these four haunting orchestral pieces were performed in the studio live, and re-recorded using a ‘wall of sound’ process, adding the natural reverb of the church to the raw tracks.
The DVD includes the Super 8/16mm black&white film ‘As True As Troilus’ by Jayne Amara Ross & a bonus live performance shot by Alain Grodard & Rod Maurice during the ‘Festival des Nouveaux Arts Sacres’ at Saint-Eustache Church in Paris. You can watch a trailer for the film above.
Words on ‘As True As Troilus’ film by Nicole Brenez (curator for the Avant-Garde programs at the Cineématheèque Francaise)
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Evade – Destroy And Dream
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16 x 16 x 0.6cm (Close size). 48.6 x 32cm broadsheet foldout with customized greyboard CD tray…
“Losing the absurd, a beautiful haze, the sun and moon as usual, fluctuating into madness”
Since 2008, artists such as Kitchen. Label’s very own ASPIDISTRAFLY (Singapore) and Flica (Malaysia) have ventured successfully to Japan, presented music made in the Asia Pacific to the rest of the world. Following in these footsteps, electronic trio Evade have been honing their repertoire of sounds crafted from within their immediate surroundings of the urban pastoral landscapes of former Portugese colony, Macau. In this much anticipated full-length album entitled “Destroy & Dream”, Evade takes on the view of a distant observer, questioning life, the earth, the universe and the values of its living creatures, yet with the consolation of dreams, seclusion and shelter.
Evade was born in the summer of 2004. Formed by Sonia Ka Ian Lao (vocals), Brandon L (guitar) and Faye Choi (sound), the trio released their first EP “Evade” in September 2009. Despite the fact that it was released on a small Macau-based label, with the help of Kitchen. Label producer Ricks Ang (who also mastered the EP and this album), the band attracted critical notice in Japan for their inventive and original style of electronic music, described by some as a wayward blend of minimalist electronic and dubstep combined with an ethereal pop sensibility. In August 2010, Evade was invited by Japanese independent music label PROGRESSIVE FOrM to perform at their curated event “New Sounds of Tokyo Vol.6″. Evade has also toured Hong Kong, China, Malaysia, and Singapore, and has lent support to Kashiwa Daisuke, ASPIDISTRAFLY and Flica’s Asian tours.
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Sarah Hughes – Accidents of Matter or of Space
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Sarah Hughes’ ‘Accidents of Matter or of Space’ is a limited edition of 100 archival CD-R’s mounted on an 11×14 letterpress score produced by Milkfed Press in Alameda, California. A complementary informational sheet includes credits, track list, and an essay by Dominic Lash. This release brings together a solo zither improvisation recorded in a disused transmission station in mid-Wales with three realizations of the 2011 composition (can never exceed unity), performed by Rhodri Davies, Patrick Farmer, Jane Dickson, Neil Davidson, and Dimitra Lazaridou-Chatzigoga…
In what has become an oft-quoted passage, the British composer and improviser Cornelius Cardew wrote that “it is impossible to record with any fidelity a kind of music that is actually derived in some sense from the room in which it is taking place – its shape, acoustical properties, even the view from the windows. What a recording produces is a separate phenomenon, something really much stranger than the playing itself, since what you hear on tape or disc is indeed the same playing, but divorced from its natural context”. This text is usually cited as evidence of the artificiality of recorded improvisation and the superiority of “the real thing”, the live concert happening in real time.
I love “the real thing”, but it seems to me that recorded improvised music at its best deliberately exploits the strangeness to which Cardew refers. We are not forced to choose between either experiencing the “natural context” (if one is there in the room when the improvisation is taking place) or having no inkling of it (if one only hears a recording of the improvisation later). Rather the recorded sounds can give greater or lesser hints as to the nature of that context, depending on the way the music is recorded, and the particular sensitivities and sensibilities of each listener. These hints can be accurate or misleading in any degree and any combination, and the activity of the listener’s fantasy in relation to these hints comprises one of the great pleasures of listening to recorded improvised music.

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