‘His Many Seas’ is a personal voyage, as the artist’s father was suffering from cancer at the time of the album being written. A well-travelled man, ‘His Many Seas’ sets sail to quietly conquer and navigate another unexplored, painful continent: the frightening landmass of coming to terms with his father’s illness, steering through the trials of life as well as acting as a dedication to his father’s love of travelling. The illness itself heralded the beginnings of a new journey. Recalling the feel of the Arctic Ocean, ‘His Many Seas’ thematically revolves around exploration, and the release includes vintage nautical Nories tables, Elisha Kent Kane – Arctic Exploration inserts along with ‘famous explorer’ double side prints.
Made by hand,
Hand made book-bound CD covers (1260 g/qm FSC certified), lined inside / outside with luxury Italian paper from Florence, glass mastered CD (not CDR), vintage nautical Nories tables (circa. 1920) resting inside old glassine bags, vintage Elisha Kane Arctic Exploration inserts (circa. 1869), a collection of 9 x double sided A6 ‘Hassan’s Greatest Explorers’ prints, dried flowers. All rests inside luxury hand cut envelopes. Individually numbered / stamped.
Stepping bravely out into icy waters and leaving behind a port always known, that being a lifetime of familiarity, comfort, and love, Moss Covered Technology paints a cold sea composed of blue tones, the chilled air seeping into the cabins of the heart through cracks in its frost-rimmed windows. Through this crack, feelings of sadness, anxiety and hopelessness slither in, making a nest in the heart of the ship. Some of the background textures clink and creak, like the breaking of ice, and the record charts a melancholic course. ‘His Many Seas’ is the sound of an ending, but it’s also a maiden voyage.
Soaked textures and sparse, frostbitten melodies loop in the frigid air, almost as if they can’t remember their place, or where they are in relation to everything else. The grey sea looks the same. Its horizon never differs. But music can act as a compass, a North Star, in times of trouble, during tempests and unquiet seas, and this ambient Polaris guides the artist back home. Music can return a soul to safe shores after a period of brokenness.
Talkingmakesnosense is Dominic Dixon of Glasgow who has been making music in one form or another since he was a child. Most recently, he’s been releasing records on the now sadly defunct Benbecula Records, and now a new album on Rural Colours.
Coruscates consists of four long-form tracks, each tipping past the ten-minute mark.
An edition of 100, CD and cover packaged in a translucent envelope.
Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.
This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.