Each cover of the Printed Edition has been professionally printed with artwork derived from a vintage star map of the constellation Eridanus. Constructed around the same hand-inked custom double sleeve design as the Stamped Edition, this is a heavyweight package containing glass-mastered CD and a professionally printed insert.
James Murray’s tenth solo album carefully charts all nine Heavenly Waters constellations. This delicately nuanced celestial meditation is many years in the making and confirms Murray’s unwavering commitment to original, emotionally weighted, concept rich music of equal parts subtle melody and inventive, meticulous sound design.
Bridge Carols is the meeting of two artists with unique timeless approaches to music. Neo-Americana folk singer Laura Gibson is gifted with a soft and singular voice (not unlike the voices of Josephine Foster and Joanna Newsom) and writes songs that could date back a century or foretell a future rural life. Electronician Ethan Rose is vested in antiquated instruments and technologies – a sonic recycler who, out of the old, has been creating a new form of ambient music.
I first came across Marihiko Hara’s work in 2007, with his ‘Cesura’ release on the excellent Italian net-label – Zymogen. It really drew me in more than most other work that was doing the rounds at the same time. It had the sort of organic details and attention to beautiful subtle developments that I had only really heard in offthesky and Nicolas Bernier before (both label mates on Zymogen I should add). It became my soundtrack to that year and an album I returned to almost daily during the winter months. After this I followed Marihiko’s work carefully, from his rather fantastic 2009 ‘Icon’ release on Cotton Goods to his recent ‘Prosa’ collaboration with Tomas Phillips on Tench Records.
As a sort of pantheist, or at least an artist who finds great stories hiding in the vast visual subtleties of nature – Subtle Trees is a classical music collage as much as it is an homage to classical music. It’s core is created through sounds gathered in the owl hours by sampling ancient instruments whose cores were derived from the trees of nature. These sounds were layered like lichen on an ancient pantheistic sculpture.