Dozens – Curving Quest
£8.00 Original price was: £8.00.£4.00Current price is: £4.00.
Limited edition run of 65 3″ CD-R’s on hand stamped and numbered recycled packaging…
Dozens, are the Montreal duo of Francesco De Gallo (Hobo Cubes) and Ryan Connolly (Sundrips).
Curving Quest is a 19 minute smudged vapour trail of guitar and synth.
Only 2 left in stock
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David Ya – The Time Is Stretching
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EM.001 is a limited 3″ edition of 100 copies…
Music styles are going from deep dark ambient to experimental soundscapes.
This first opus is an experimental study of time between inner microcosm and macrocosm!
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Rivers Home – Compilation
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Limited edition of 100 numbered / handmade sets (five 3″ CD’s) that include inserts with personal messages from the artists Marcus Fischer, Field Rotation, Broken Chip, Kate Carr and Billy Gomberg…
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Rivers Home sees Marcus Fischer, Field Rotation, Broken Chip, Kate Carr and Billy Gomberg, each present an ode to a different piece of water on their own three inch CD.
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Lunar Miasma – Passage To The Unknown
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Limited edition run of 65 3″ CD-R’s on hand stamped recycled packaging…
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3", Sale
‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.

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