De Form – Out Of Emptiness
£8.00 Original price was: £8.00.£5.00Current price is: £5.00.
You were in a place without any doors, any windows shut in a closed space somewhere in the emptiness. Now you can come out of that place… “out of emptiness”…
De Form ambient/experimental alias of Piotr Michalowski. The foundation of this project is to create music in a short period of time, under strong influence. That’s why the form is less important here, the emotions contained in the music are the most important.
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Rivers Home – Compilation Vol. 2
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Limited edition of 100 numbered / handmade sets (five 3″ CD’s) that include inserts with personal messages from the artists The Boats, Seth Chrisman, Savaran, All N4tural and Dan Whiting…
The second and final set of EPs in the Rivers Home series.
This series celebrates the wonder of rivers at a time when many of them are particularly vulnerable.
Many of us dream about rivers, ride along rivers, take ferries along rivers and sit on river banks. This series is a musical exploration of the ways we influence rivers and they influence us.
It is about the stories we tell about rivers, the experiences we have of them, and the memories they have left us with.
This the final set of Rivers Home sees The Boats, Seth Chrisman, Savaran, All N4tural and Dan Whiting each present an ode to a different piece of water on their own three inch CD.
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‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.
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Pascal Savy – Receding
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Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!
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Seth Chrisman – Aetherdrift, Do You Copy
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Limited edition of 100 that comes in a numbered handmade sleeve, with an insert containing a personal message from Chisman introducing the EP…
Flaming Pines’s first release for 2012 is a magical new EP by Seth Chrisman called ”Aetherdrift,, Do You Copy”.
Chrisman hails from New Mexico in the USA, but drew heavily on sonic material gathered on a trip to Costa Rica to produce this memorable EP.
Stumbling around after dark armed with a tape recorder and a radio, Chrisman said he returned home inspired by the ”lovely cacophony” produced by the mixture of natural sounds and fragmented AM radio transmisions.
”Aetherdrift” delicately and powerfully conveys both the euphoria and disorientation of travel — the sense of drift and near disembodiment experienced by every traveller as they arrive as a disconnected outsider to a new country.
It is a subtle and sophisticated work which, with its emphasis on geography, travel and connections, is a terrific fit with the preoccupations of the Flaming Pines label, and we are very proud to be associated with it.

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