David Ya – The Time Is Stretching
£6.00 Original price was: £6.00.£2.50Current price is: £2.50.
EM.001 is a limited 3″ edition of 100 copies…
Music styles are going from deep dark ambient to experimental soundscapes.
This first opus is an experimental study of time between inner microcosm and macrocosm!
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Pascal Savy – Receding
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Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!
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Nick Kuepfer – Rural Route No.7 (3″)
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These six tracks were recorded during a week of seclusion in a house deep in the woods of Northern Ontario with portions recorded in a cabin in the Gatineau region of Quebec. The recordings include various sample sources including goats and birds in Switzerland, a choir featuring Kuepfer’s parents, and wolves from the Aspden Valley Wildlife Sanctuary near Rousseau, Ontario.
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The Gentleman Losers – Rural Route No.5
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These tracks are a travelogue mapping paths taken in Europe during the past year or so. Snapshots, based on improvisations drawing inspiration from the quieter moments of a nomadic life: a snowstorm in Helsinki, a hot September night in Berlin and a dusk in the Swiss countryside outside of Lucerne.
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‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.

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