David Newlyn – The Misspelled Numbers
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David Ya – The Time Is Stretching
3", Sale
EM.001 is a limited 3″ edition of 100 copies…
Music styles are going from deep dark ambient to experimental soundscapes.
This first opus is an experimental study of time between inner microcosm and macrocosm!
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Pascal Savy – Receding
3", Sale
Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!
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Dmitriy Rodionov Experience 1 + 1 = 1 (Part I)
3", Sale
Mini CDr audio in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
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Jan Linton – Buddha Machine Music
3", Sale
Mini CD audio (pressed) in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
Japan-based musician Jan Linton returns with his first extended-and non Japanese-release for several years, in cooperation with the makers of the Buddha Machine, FM3. Titled “Buddha Machine Music”, it continues the experimental themes and ambient techniques from his collaborations with Leo Abrahams (better known as Eno’s regular guitarist), Richard Barbieri (ex Japan), Beatsystem (Derek Pierce),and his academic work under Dr. Joseph Hyde. Prior to this he released several albums and singles in the avant rock vein, from major and cult labels in Japan.
This mini album takes the sounds from Buddha Machines 1 and 2, and morphs them into complete pieces or songs with surprising results, combining them with some live solos of ethinic instruments such as the Chinese Zhongruan, (or, “Moon Guitar”), played by Linton.

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