Simon is a well-known UK experimental sound artist with releases on labels such as Cronica Electronica, Flaming Pines, Line, Rural Colours, The Helen Scarsdale Agency to name a few, while Canned Fit aka Christine Schörkhuber, a Vienna based sound artist has appeared on digital various artists compilations. This is her first physical appearance. The sound artist Christine Schörkhuber works with a fragile yet powerful setup consisting of self-built electronic analogue interfaces, sonorous everyday commodities and her voice. The performance is trembling between subtle crunchy sounds, song fragments, noise-fields and penetrating drones.
Christine Schörkhuber and Simon Whetham met in early 2013 through mutual friend Luis Toto Alvaro where the three of them performed collaboratively in a darkened room in Quillota, Chile. It was there they realised that through very different means, they were producing similar and complementary results. Following the concert they discussed the possibility of collaboration, face-to-face, rather than file sharing. The opportunity arose while Simon was in residence at Villa Waldberta, Feldafing, Germany through February and March 2014. Christine visited for two weeks for the duo to share time and exchange ideas, which led to a number of intensive and extensive recording sessions during which the artists pushed each other to create a work that is uncharacteristic of their solo activities.
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.
Walden Pond's Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Following the limited vinyl-only album InsÃ³nia released in 2009 on German label Humming Conch, Walden Pond's Monk is the first album from Sousa released worldwide on both CD and LP formats.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.