The old and the new, and the personal and political collide in Rezo Glonti’s EP Late Night Diving, which explores the history and contemporary reality of his post-Soviet home Georgia.
Inspired by old wedding footage found during a trip to rural Georgia, Glonti decided to write a piece celebrating joy and renewal in the face of oppression and despair. ”It was really inspiring and beautiful,” he said of the footage, which was shot in 1985. ”I realised that despite the regime and the banning of certain things, people were happy and happiness and joy is universal and timeless, no matter when you live and where you live.”
‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.
EM.001 is a limited 3″ edition of 100 copies…
Music styles are going from deep dark ambient to experimental soundscapes.
This first opus is an experimental study of time between inner microcosm and macrocosm!
Mini CD audio (pressed) in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
Japan-based musician Jan Linton returns with his first extended-and non Japanese-release for several years, in cooperation with the makers of the Buddha Machine, FM3. Titled “Buddha Machine Music”, it continues the experimental themes and ambient techniques from his collaborations with Leo Abrahams (better known as Eno’s regular guitarist), Richard Barbieri (ex Japan), Beatsystem (Derek Pierce),and his academic work under Dr. Joseph Hyde. Prior to this he released several albums and singles in the avant rock vein, from major and cult labels in Japan.
This mini album takes the sounds from Buddha Machines 1 and 2, and morphs them into complete pieces or songs with surprising results, combining them with some live solos of ethinic instruments such as the Chinese Zhongruan, (or, “Moon Guitar”), played by Linton.