Becoming is the fourth dance piece by Dutch/Spanish choreographer Iván Pérez to feature an original soundtrack by Rutger Zuydervelt (Machinefabriek). After ‘Hide & Seek’, ‘Attention the doors are closing’, and ‘Exhausting Space’, the duo sharpened their collaboration with a new piece by having the music performed live on stage for the first time. The choreography and music were created simultaneously, rehearsing together, and developing a movement and sound ‘vocabulary’ for the piece. The end result is structured, but still leaves a lot of room for improvisation in order to keep a natural flow. Each performance is different, with the musician and the dancers (Wei Yun Chen, Majon van der Schot, and Christopher Tandy) having a real-time dialogue.
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.
Mastered by Jannick Schou. Limited to 500 copies on replicated CD (NOT CDR!) in numbered 6 panel digipak with full colour artwork designed by Justin Wright himself. First 100 orders come with bonus cassette of outtakes in hand stamped packaging.
This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
Walden Pond’s Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Following the limited vinyl-only album InsÃ³nia released in 2009 on German label Humming Conch, Walden Pond’s Monk is the first album from Sousa released worldwide on both CD and LP formats.