The music of Egor Klochikhin is inspired by the place where he grew up and now lives – Berdsk, in Siberia, or more specifically by his surrounding nature – the Siberian forest-steppe. He works with some various instruments as acoustic guitar, piano, metallophone, whistle, melodica, mandolin and percussion, as well with field recordings recorded and looped into some dreamy, lo-fi and out-of-time sound collages.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
With The Rules of Another Small World, M. Ostermeier has arrived at an elegant voice – otherworldly and strangely beautiful, much like the desolate Taiwanese San-Zhr Pod Village gracing the album cover.
While elements of electroacoustic, modern classical, jazz, glitch, drone, ambient, and even lounge weave in and out of the record’s eleven compositions, The Rules of Another Small World is the converse of an eclectic collection of songs.