Cheer – Breathing Tone
£10.00 Original price was: £10.00.£5.00Current price is: £5.00.
Here’s something you don’t see everyday!
Album comes as a 4GB USB card that has 8 tracks totaling almost 4 hours of music in high quality (2116 kbps) AIFF files. Also includes a HD video for the track Water And Me made by Ross Wood and Laura Maclean. – Top stuff!
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Bailleau / Demoulin – Outshining Memories (Deluxe CD/Booklet)
CD, Deluxe
Limited edition of 100 hand-numbered copies...
Each one comes in the form of an 8" x 5.5" machine sewn booklet. Each unique booklet has a cover made from an antique 8"x 10" b/w negative still…sewn in between the folded and sewn film still is a selection of original artwork pages, antique diagrams and wallpapers and other ancient paper ephemera. Each book is then gone through and scribbled in, stamped and otherwise artified. Sewn into the center of the book is the cotton sleeve that holds the factory pressed disc. Each booklet comes in a hand stamped translucent envelope.
£30.00
Sale

Sarah Hughes – Accidents of Matter or of Space
CD, Deluxe, Sale
Sarah Hughes’ ‘Accidents of Matter or of Space’ is a limited edition of 100 archival CD-R’s mounted on an 11×14 letterpress score produced by Milkfed Press in Alameda, California. A complementary informational sheet includes credits, track list, and an essay by Dominic Lash. This release brings together a solo zither improvisation recorded in a disused transmission station in mid-Wales with three realizations of the 2011 composition (can never exceed unity), performed by Rhodri Davies, Patrick Farmer, Jane Dickson, Neil Davidson, and Dimitra Lazaridou-Chatzigoga…
In what has become an oft-quoted passage, the British composer and improviser Cornelius Cardew wrote that “it is impossible to record with any fidelity a kind of music that is actually derived in some sense from the room in which it is taking place – its shape, acoustical properties, even the view from the windows. What a recording produces is a separate phenomenon, something really much stranger than the playing itself, since what you hear on tape or disc is indeed the same playing, but divorced from its natural context”. This text is usually cited as evidence of the artificiality of recorded improvisation and the superiority of “the real thing”, the live concert happening in real time.
I love “the real thing”, but it seems to me that recorded improvised music at its best deliberately exploits the strangeness to which Cardew refers. We are not forced to choose between either experiencing the “natural context” (if one is there in the room when the improvisation is taking place) or having no inkling of it (if one only hears a recording of the improvisation later). Rather the recorded sounds can give greater or lesser hints as to the nature of that context, depending on the way the music is recorded, and the particular sensitivities and sensibilities of each listener. These hints can be accurate or misleading in any degree and any combination, and the activity of the listener’s fantasy in relation to these hints comprises one of the great pleasures of listening to recorded improvised music.
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Matt Rösner – Repeat (Deluxe White Vinyl)
Deluxe, Sale, Vinyl
Special limited edition white vinyl copies with individually numbered sleeves that include bespoke golden embossed inserts…
Repeat offers 6 new works by Rösner that demonstrate the composer’s musical maturing since his debut release on 12×50 and a couple of releases of environmental and electronic sound in Australia and the US.
He engages on Repeat with the sound of voice, recorded instruments and performers. Reminiscent of Morton Feldman, these works unfold their beauty over time. With additional material by Adam Trainer, Greg Taw and Alexander Wendt, this vinyl release explores patterns and structures – observations of Rösner’s environment at the oceanic West coast of Australia.
Calculations based on the Fibonacci series laid out timing and structure of Lattices, the track that spans over the entire B-Side. It explores tones and frequencies over 20 minutes.
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Evade – Destroy And Dream
CD, Deluxe, Sale
16 x 16 x 0.6cm (Close size). 48.6 x 32cm broadsheet foldout with customized greyboard CD tray…
“Losing the absurd, a beautiful haze, the sun and moon as usual, fluctuating into madness”
Since 2008, artists such as Kitchen. Label’s very own ASPIDISTRAFLY (Singapore) and Flica (Malaysia) have ventured successfully to Japan, presented music made in the Asia Pacific to the rest of the world. Following in these footsteps, electronic trio Evade have been honing their repertoire of sounds crafted from within their immediate surroundings of the urban pastoral landscapes of former Portugese colony, Macau. In this much anticipated full-length album entitled “Destroy & Dream”, Evade takes on the view of a distant observer, questioning life, the earth, the universe and the values of its living creatures, yet with the consolation of dreams, seclusion and shelter.
Evade was born in the summer of 2004. Formed by Sonia Ka Ian Lao (vocals), Brandon L (guitar) and Faye Choi (sound), the trio released their first EP “Evade” in September 2009. Despite the fact that it was released on a small Macau-based label, with the help of Kitchen. Label producer Ricks Ang (who also mastered the EP and this album), the band attracted critical notice in Japan for their inventive and original style of electronic music, described by some as a wayward blend of minimalist electronic and dubstep combined with an ethereal pop sensibility. In August 2010, Evade was invited by Japanese independent music label PROGRESSIVE FOrM to perform at their curated event “New Sounds of Tokyo Vol.6″. Evade has also toured Hong Kong, China, Malaysia, and Singapore, and has lent support to Kashiwa Daisuke, ASPIDISTRAFLY and Flica’s Asian tours.

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