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    From the Mouth of the Sun – Hymn Binding

    Pre-Order: Ships 22.09.17... Housed in a heavy stock, handcrafted 7" x 5" book-style case with download card for the album in high quality format. Edition of 150 copies! ‘Hymn Binding’ is the pair’s third album as From the Mouth of the Sun, and their first for US label, Lost Tribe Sound. The album is teeming with all the soul-stirring character one has come to expect from their work together. The long form crescendos built from Martin’s mournful strings and vast array of acoustic instrumentation are a perfect compliment to Rosenqvist’s delicate piano melodies, humming electronics, and waves of warm static. At the core, From the Mouth of the Sun’s sound is comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele and pump organ. Yet with ‘Hymn Binding’ they’ve allowed those acoustic sources to change shape, at times turning them into something that more resembles synths or digitally rendered sounds. They do this, not as a means of disguising them, or really wanting them to sound like synths, but to bring out new layers from already existing timbres.
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    Alder & Ash – Clutched in the Maw of the World

    Pre-Order: Ships 28.07.17... Handcrafted 7″x 5″ Case & Glass Mastered CD / Limited to 150 Hand-numbered Editions / Download code 'Clutched in the Maw of the World', the second full-length album from Alder & Ash, is as much maximal as it is minimal. It punctuates periods of barren calm with thunder and screams, before creeping back to the silence and the dusk. The album is comprised entirely of cello. 'Clutched...' combines traditional classical modalities with gnarled, heavily treated modern techniques to devastating affect. Glass, wood, rain, stone and air are all present in the music, from the crystalline notes of the "Merciless Dawn" to the unyielding crashes and lumbering slabs of distorted rhythm of "A Seat Amongst God and His Children." Alder & Ash treads on the experimental fringes of modern classical, perhaps too abrasive to play nice with the coy melodrama of the scene. Yet, the music has enough grit to take hold of lovers of doom, noise, and the like, perhaps winning over new fans of cello music from even the most hardened black metal die-hards.
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    Alder & Ash – Psalms for the Sunder

    Pre-order: Ships 28.07.17 Handcrafted 7"x 5" Case & Glass Mastered CD / Limited to 150 Hand-numbered Editions / Download code 'Psalms for the Sunder' thrives in opposing extremes. As the title suggests, 'Psalms for the Sunder' is a study of downfall and collapse. The work explores the boundaries, the desolation and despair, among the edges of things come undone. In that tension and space it finds not only cacophony, violence and decay, but also bittersweetness and calm. If all this sounds a bit intense, you may do well to just have a listen or duck out now. As this is not the safe path to Yo-Yo-Ma style laments, gracefully pondering some past love affair. ‘Psalms...’ takes a far more rugged approach, an ugly retelling of the human condition, utilizing the cello not only for its beauty, but also for its aggressively commanding sensibilities.
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    Seabuckthorn – Turns

    CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for: Handcrafted 7"x 5" Case & Glass Mastered CD Limited to 150 Hand-numbered Editions DL Code for 'Turns' 'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope. It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below. That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card.
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    William Ryan Fritch – New Words For Old Wounds

    Glass mastered matte finished CD Bandcamp digital download code (320MP3, FLAC, WAV, etc.) Housed in a 7.5" x 5.5" panoramic gatefold case using heavy stock Comes with double-sided full lyrics insert Over the course of the twelve songs that make up 'New Words for Old Wounds', the latest release from William Ryan Fritch, the listener is given both a scintillating reminder of the immersive, unmistakable sound worlds he created over the last two years and a welcome introduction to an expanded sonic palette and refined craft that points to where his music may go next. This parting gift to those that supported his ambitious eleven album subscription series, The Leave Me Sessions merges the colorful orchestration and high drama bombast of 'Heavy' and 'Emptied Animal', the sweeping soundscapes of his finest works for film, and the restrained, nuanced textures of 'Empty' to create its own distinct identity that is both haunting and infectiously exuberant. With guest vocal appearances by DM Stith, Powerdove, and Ceschi, New Words furthers the collaborative spirit found on 'Revisionist' and seamlessly laces each of the artists unique talents into his compositions.
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    William Ryan Fritch – Birkitshi – Eagle Hunters…

    CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for: Handcrafted 7"x 5" Case & Glass Mastered CD (All 18 Songs on CD) Limited to 150 Hand-numbered Editions DL Code for Eagle Hunters Extended Edition feat. unreleased songs 2 Page Full Color PDF Booklet feat. scenes from the GoPro film In its most ambient moments, immersive, otherworldly choirs and strings envelope plaintive and pastoral calm like unencumbered winds sweeping across vast plains. At its most bombastic, the rhythms race and rumble like beating hooves in pursuit. And in its most soaring moments, the music emanates an aura of the surreal grace and power these golden eagles display with reverence, awe and a melancholy of knowing the world they fly over is changing so fast.
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    William Ryan Fritch – Revisionist

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    Revisionist’, the latest record from composer William Ryan Fritch (Vieo Abiungo), brings an emphatic close to his incredibly prolific 2014. Just one month after the release of Death Blues ‘Ensemble’—his powerhouse collaboration with drummer and new music ringleader Jon Mueller—Fritch has produced his most focused and dynamic work yet. Energized by the collaboration with Mueller (Volcano Choir), the otherwise self-sufficient multi-instrumentalist surrendered his auterist sensibilities, seeking creative alliances with Benoit Pioulard, D.M. Stith, Origamibiro and Esme Patterson. The results are scintillating. From the elegant minimalism of “Winds” (produced by Pioulard) or the exultant vocals of “Gloaming Light” (performed by D.M. Stith), these inspired partnerships take Fritch’s instrumentation and craft to new destinations, employ new techniques, and further it’s immediacy and appeal.
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    Graveyard Tapes – White Rooms

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    Graveyard Tapes announce ‘White Rooms’, the follow-up to their acclaimed debut. Edinburgh based duo Euan McMeeken (glacis, The Kays Lavelle) and Matthew Collings (Splintered Instruments, Sketches For Albinos) joined the Tribe in 2013 with ‘Our Sound Is Our Wound’. Only the simplest and most elegant of ideas offer this sort of combustive force. McMeeken builds the audio structures and Collings nearly tears them back down again. Of their debut, Textura lauded “McMeeken’s heartfelt singing and piano playing and Collings’ electronic and guitar colourations,” while Incendiary Magazine declared the album “a rare blend of inquisitive dark pop.” The track “Bloodbridge” inspired and was featured in Matty Ross’s enigmatic short film. Where ‘Our Sound Is Our Wound’ confronted heartbreak, solitude and death, White Rooms looks to progress, even repair, restore. Collings assumed the role of primary songwriter, and here the darkly lit, fully curtained spaces of their inaugural record serve not as a wake, but a wake-up call. As McMeeken writes, ‘White Rooms’ accepts “the difficult but essential challenge of finding the incongruent beauty in loss and moving forward as people.” This way the curtains are thrown open, daylight floods in, the colors of the interior come into full view, and we realize that what is left is a blank canvas, ready for our paints.  
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    William Ryan Fritch: Leave Me Like You Found Me (Deluxe CD)

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    – Glass Mastered CD housed in a panoramic 7” x 5” heavy stock, reverse printed case. – Featuring artwork throughout by world renowned Brazilian artist/illustrator João Raus. – 14 Song Mini-Album on a download card, containing 28 minutes of original music not found on the CD. – Double-sided Art Card Print featuring original artwork from William Ryan Fritch and Jamie Mills. Deluxe packaging featuring the work of renowned visual artist João Ruas, a 14 song mini-album on a download card with half an hour of brand new original music unavailable anywhere else, and a double-sided card print of original artwork from William Ryan Fritch and Jamie Mills.  
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    William Ryan Fritch – Emptied Animal

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    Artwork by world renowned artist/illustrator Joao Ruas. Glass Mastered CD housed in a Japanese style heavy stock, reverse printed case. Limited to 250 copies... Emptied Animal, the debut release from William Ryan Fritch, is an overture to the surrealist Psych-folk of his upcoming LP Leave Me Like You Found Me. This 10 song EP, full of more music and ideas than most long playing records, is comprised of five new songs featuring his honeyed, expressive vocals over bold, panoramic orchestration and five equally sumptuous and engaging instrumental tracks all showcasing a unique sense of orchestration and texture. The breadth and scope of this album’s instrumentation and arrangement belie the seemingly incomprehensible fact that every sound was played live, recorded, and mixed by Fritch in his home studio. After more than a decade of slowly refining and honing his DIY, no budget, maximalist aesthetic, Emptied Animal with it’s new, evocative sound palette is a statement piece for a solo artist who has continually strived to make music larger than his modest means. Those who purchase the physical album will receive four exclusive bonus tracks derived from the Leave Me Like You Found Me sessions.
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    Benoit Pioulard: Hymnal Remixes (2 x CD)

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    This one is stunning, designed utilizing two beautifully toned photos taken by Tom Meluch. The double disc album comes housed in a perfectly worn heavy stock Japanese style CD wallet including matte printing on the disc faces as well. Mastered by Carl Saff… Seattle-based Benoît Pioulard has become a stalwart of Chicago’s kranky imprint over the course of four full-lengths, the most recent of which is Hymnal. Lost Tribe Sound is pleased to release Hymnal Remixes, a compendium of interpretations, constructions, reductions and destructions. On Remixes the roll call includes: Fieldhead, Loscil, Field Rotation, William Ryan Fritch, Graveyard Tapes, Part Timer, Cock & Swan, Brambles, Segue, The Remote Viewer, The Green Kingdom, Squanto, James Murray, Zachary Gray, Widesky, Radere, Ruhe, Window Magic, Benoît Honoré Pioulard
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    Graveyard Tapes – Our Sound is Our Wound

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    Gorgeous 6 panel re-issue… Many of you are already familiar with this year’s well-received album from Graveyard Tapes. The Deluxe Book Editions sold out in record time. With artwork this excellent from illustrator Jamie Mills, we couldn’t help ourselves in producing a Second Edition of this debut album. Taking much of the art from the original and translating it into a 6 Panel Matte-Print CD Wallet, the Second Edition is more compact than the Deluxe. Yet, it still captures the beauty of the illustrations in a more affordable design. For those that didn’t get a chance to grab a copy of this album the first time around, it is a beautiful piece of work. The Graveyard Tapes music is one of the most evolving, surprising, and emotional releases we have had the pleasure to release!
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    William Ryan Fritch – The Waiting Room

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    For five months, director Peter Nicks embedded himself and his crew in the emergency room of Highland Hospital, a large public hospital located in Oakland, Calif., and filmed the hundreds of patients who entered the facility every day in need of care, as well as the overburdened staff of nurses and doctors attempting to deliver quality treatment in difficult conditions. The Waiting Room turns Highland’s ER into its own self-contained universe and keeps its focus entirely on the men and women who populate it. It’s a small-scale story that — captured through Nick’s intimate and transparent lens — speaks volumes about the larger problems facing American healthcare. The emergency room is understaffed and underfunded but the film is remarkably policy-free. There are no title cards or celebrity voice overs, no calls for action, no heavy-handed visual or musical cues suggesting the audience laugh or cry. The footage alone is enough.
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    Cock & Swan – Stash (Deluxe CD)

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    The CD (Not a CD-R) (Limited Edition of 100) comes housed in a hand-aged linen cloth bound book. The linen cover is backed with archival mulberry paper and bound over high quality and heavyweight archival book board. Cover art is printed to canvas and stitched. The interior is lined with hand made banana bark paper, lokta and mulberry paper. Each limited edition is hand numbered… Through the hypnotic fog that is the music of Cock and Swan lurks a strange energy, feeling one part sinister and two parts innocent. Yet, it reveals itself in subtle uneasy layers of blissfully haunting melodies as you clamber further into the dank outlands that entrench their sound.  
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    Cock and Swan – Stash

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    CD housed in a reverse print sleeve with matte CD art / 320K MP3 Download / 5 Bonus tracks from Cock and Swan / Bonus remixes from Part Timer and Vieo Abiungo…  Through the hypnotic fog that is the music of Cock and Swan lurks a strange energy, feeling one part sinister and two parts innocent. Yet, it reveals itself in subtle uneasy layers of blissfully haunting melodies as you clamber further into the dank outlands that entrench their sound.  
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    Abiungo / Monro – Thunder May Have Ruined the Moment (CD/DVD)

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    The CD and DVD (Limited Edition of 500) come housed in a 7”x 6” custom book-style case, featuring debossed imagery and text on the exterior. The interior features 16-pages of stunning full-page spread imagery, along with poetry penned by Fritch. Each edition is numbered by hand. Also includes 320K MP3 + DVD File Download plus 4 Mastered Bonus tracks… William Ryan Fritch (aka Vieo Abiungo) returns with a gorgeous fifteen track follow-up to 2011’s And the World is Still Yawning. Trying to classify Fritch’s sound by genre has become almost futile. He effortlessly weaves together a huge breadth of earthy beat-laden experimental, classical, and folk. This is the third full-length for Vieo Abiungo, and this newest installment comes in the form of a CD and DVD release titled, Thunder May Have Ruined the Moment. Fritch enlisted the help of award-winning film director, Pete Monro (Days Together) to create several short experimental films for the DVD. The films offer up thick psychotropic visuals and hazy moss grown memories that seamlessly meld into barrage of twisted imagery and nature based decay. Though the music may sound at times like the product of electronic instrumentation, the entirety of the film and accompanying album’s music was created strictly using acoustic instruments played entirely by Fritch, and recorded primarily using analog tape machines. At times tranquil, tortured, or trembling with quiet joy, Thunder May Have Ruined the Moment is an album of light and shadow, the human experience given voice.  
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