Limited edition 180g LP, gatefold sleeve inc. download code…
William Bennett, the musical mastermind behind WHITEHOUSE and CUT HANDS, has already worked with zeitkratzer at several occasions. 4 years after their first CD (Whitehouse, zeitkratzer records) the critically acclaimed ensemble and the highly influential noise pioneer release their second album. Recorded live at the festival Musique Action in Nancy / France, the new recording goes even further: while the deep bass frequencies – produced by the huge orchestra drum, at some points as well by the beaten bass strings of the piano or by subtones of the horns – made vibrate not only the floor of the venue while on the other hand high piping sounds, amplified violin harmonics, bitten clarinet tones attack the listener. A music with crystal clear or even neurosurgical precision. And one can hear voices all over – distorted from being spoken through a trombone, a French horn, phantom voices in the density of the sounds, etc. No electronic effects are used – it’s pure acoustic power!
Limited edition 2LP, 180g, gatefold sleeve inc. download code…
About 10 years after their first, critically acclaimed performances of Lou Reed’s adventurous album, zeitkratzer presents an audacious new interpretation of this 20th century avant-garde classic. Here, for the first time ever, all four parts of Metal Machine Music played by zeitkratzer on one recording! Seriously “clangorous”!
This new version of Metal Machine Music is even more transparent, instrumentally pure and radical than the shortened 2007 release; Live recordings from concerts in Rome and Reggio Emilia, Italy, mixed and mastered by Rashad Becker. A real sound experience!
New York City’s experimental duo TALIBAM! team up with fluxus artist / electronic avant-gardist YASUNAO TONE and trombonist SAM KULIK for a confrontational sonic attack, fired by an array of analog synths and other electronic devices.
“Bringing together the most calamitous materials from their home planets of Noise, glitch, and free improvisation, TONE and TALIBAM! are at once the likeliest and unlikeliest of conspirators. Despite making his home in New York since 1971, TONE’s foundational electronic work harkens back to his early days in revolutionary Japanese avant-garde collectives Group ONGAKU and HI RED CENTER, and resonates with his groundbreaking deconstructions of digital CD sound in the 1980s. Meanwhile in the post-art worlds of millennial Brooklyn, TALIBAM! have cranked out their own absurd, profane and unclassifiable improvisational style, bringing their provocations around the world, and proficiently mediating jazz, rock, and hip-hop along the way; trombonist SAM KULIK brings an acoustic element to the mix that invokes the live sonic mixes of MUSICA ELETTRONICA VIVA. In their collaboration “Double Automatism”, they forge a confrontational new alliance in the transnational history of experimental sound, with the noisiest consequences imaginable.”
Multi-fold out digipak in a limited edition of 222 hand-numbered copies…
Born 1963 in Czestochowa / Poland, Cezary Gapik’s formative musical experiences after the punk revolt were the more experimental outings of Public Image Ltd. and industrial pioneers as Throbbing Gristle and Cabaret Voltaire. The popularisation of the computer as a creative tool in the mid-nineties gave birth to Gapik’s present extensive style: the isolationist projects of Mick Harris (Scorn, Lull) are as traceable as are 20th century contemporary avant-garde composers (Stockhausen, Xenakis, Ferrari) and masters of minimal music (Phill Niblock, Eliane Radigue).