Glacial Movements

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    Pjusk – Tele

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    Pjusk is Rune Sagevik and Jostein Dahl Gjelsvik from the west coast of Norway – both from small villages close to nature. The sound of Pjusk is inspired by the harsh Norwegian weather and wild landscape. At the centre point of the collaboration between the two is an old cabin high up in the mountains. This is where most of the music of Pjusk is made – framed by snowy peaks and the sound of cold streams. The album “Tele” (the Norwegian word describing frozen underground water) is a natural progression from the album “Sval” released on the US label 12k in 2010. Inspired by the arctic wilderness, Tele is a journey of snow, ice and cold.
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    Retina.it – Descending into Crevasse

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    Retina.it (Lino Monaco and Nicola Buono), is born in the first half of 90’s. This duo, placed near the Vesuvio (Naples), explored all the capabilities of analogic synths since the beginnings, developing an its own idea of sound. The undifferentiated manipulation of sounds extracted from modular and digital synths or objects/environment sound’s recording, leads this original duo to a continuos research of a sonic identity. Retina.it’s music has been released from labels such as Hefty records (US) , Mousikelab (It), Flatmate/Storung (Spain) and Glacial Movements (It). They have worked with different personalities of music business and visual arts, such as John Hughes, Marco Messina, Claudio Sinatti, Gabriella Cerritelli, Giorgio Li Calzi, Red Sector A. Moreover, the deep live-performing activity has led Retina.it to share important stages of International contest (such as Storung, Sonar…) with prestigious artists like Kraftwerk, Matmos, Telefon Tel Aviv, T.A.G.C., Rechenzentrum, Oval, Noto, F. Bretschneider, Plaid, Apparat, Biosphere and many more. “Descending into Crevasse” is a sort of metaphor. An ipotetic journey between the gorges of eternal ices, such as a travel inside ourself researching reassuring corners. A flux of muffled and confused memories, frosted in a wave moving like an algorithm.
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    Aidan Baker – Aneira

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    Aidan Baker is a multi-instrumentalist, classically-trained in flute, but best known as a guitarist. Using various electronic effects combined with prepared and/or alternate methods of playing the guitar, he creates music which generally falls within the ambient/experimental genres but draws on influences from shoegaze and post-rock, contemporary classical and jazz. Over the course of the last decade, Baker has released numerous recorded works, both solo and with his duo Nadja, plus various other musical projects, on such labels as Alien8 Recordings, Important Records, Die Stadt Musik, and Broken Spine Productions. He is also the author of several books of poetry. Baker has collaborated in-studio and live with such artists as Tim Hecker, Carla Bozulich, Jessica Baillif, Noveller, OvO, members of The Jesus Lizard, and members of Swans. He has also composed for and performed with such contemporary classical ensembles as The Penderecki Quartet, The Riga Sifonietta, and The Monday Morning Singers. Baker has toured extensively around the world and appeared at such international festivals as FIMAV, SXSW, Incubate, and Mutek. Aneira (Welsh for ‘snow’) is one long, slowly changing piece created using only a 12-string acoustic guitar, manipulated and played with different tools, as a sound source in order to make sounds resembling that of ice moving or breaking and of wind or snowstorms. Aidan Baker also wrote a poem about Aneira, that will be inside the digipack.
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    Netherworld – Alchemy of Ice

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    “Sliding notions; familiar frames of source. Chill insinuated breezes capture attentive ear. Strokes gently away the fast-spinning overworld.” – Ews Nsj
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    bvdub & Loscil – Erebus

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    From Chaos came forth Erebus and black Night; but of Night were born Aether and Day, whom she conceived and bore from union in love with Erebus. – Hesiod, Theogony (120–125)
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    Yair Elazar Glotman – Northern Gulfs

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    Handmade natural card CD case (limited edition of150 copies)... Yair Elazar Glotman is a musician and sound artist living and working in Berlin. His focus is on experimental electroacoustic composition, sound installations and sound sculptures. In addition, he works as a sound designer and composer for film, dance and video art. His education includes Classical Double-Bass, electroacoustic composition and Art and Media studies, where he explored the gap between sound art and contemporary music. His work has been played at various sound venues including ZKM Center for Art and Media Karlsruhe, KW Institute for Contemporary Art, LEAP Gallery, NK and FEED Soundspace. This album is a journey through the arctic gulfs in the north seas . Electro-acoustic composition aiming to find a delicate balance between digital processing and analog electronics, with acoustic instruments and real-world field recordings.  
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