The release comes packaged as a deluxe CD inside a 20-page hardbound book of Deupree’s photographs that inspired the creation of the music…
For the music, made with a small number of instruments (electric piano, glockenspiel, DX7, handheld cassette recorder) Deupree originally set out to create a follow-up to his classic album Stil.. Steeped in subtle repetition and soft electronic sound, Stil. explored themes of time and change. However, Stil. was created with purely electronic means – software synthesizers and looping algorithms which explored the then-novel frontier of DSP based “microsound.” With a strong desire to bring the aesthetics of Stil. to his current way of working Deupree used no software or automatic looping, instead opting for the imperfections of creating “loops” by hand. The result is warm and quietly decayed work of spare, discreet tones and dozens of interwoven slow polyrhythms that create repetitions that constantly fall apart and shuffle themselves back together. While these ideas of phase relationships are not new in music, nor to Deupree’s catalogue of work, it was the way he approached the composing that was different, and more challenging, than his work in the past. Wrapped up warmly in the sonics of cassette players and cheap built-in speakers, Somi’s dusty melodies sit quietly, but uneasily, and question the passing of time and present one of Deupree’s most alluring albums to date.
Mastered by Jannick Schou. Limited to 500 copies on replicated CD (NOT CDR!) in numbered 6 panel digipak with full colour artwork designed by Justin Wright himself. First 100 orders come with bonus cassette of outtakes in hand stamped packaging.
Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010.
The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response.
The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.
Includes a 40 minute bonus CD, The Hilton, featuring previously unreleased material: It might not have been so long since Jeff Witscher released his debut ‘proper’ album under the Rene Hell moniker, but he’s kept himself busy in the interim all the same…
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.