Numbered edition of 90 copies with handmade artwork and a dried flower…
Across its 7 pieces, all of Constellate, from its song titles to its feeling, the whole thing, can be heard as a series of broad strokes that drift over the listener and have a mysteriously hypnotic quality, or a series of smaller brush strokes that add up to a much grander whole than the sum of its parts. Even the song titles bring together references to the grand scale of the entire night sky hovering over a planet matched against references to something that seems deeply personal.
But perhaps the biggest credit to Constellate is that no matter the interpretation, whether it be grand global narrative or personal story, it’s an album that just plain works on both levels. And much like the mystery created by Pacheco’s deliberate disinterest in personal biography, the album has a mystery of its own going for it: why’s it so damn good? “Constellate” is a remarkable offering by any definition; that it serves as a debut release for an artist only compounds how impressive it is. – Brendan Moore (Fluid Radio)
Cassette from Vincent of “V” and The Pistol Cosmos. Blackest Rainbow previously released “V”s The Chanting Path a few years ago to some great reviews…
Five untitled pieces opening with a mediative guitar meandering, leading into more powerful heavy distorted pieces and right back through to a superb final track of layered instrumentation with beautiful distant vocal flowing in and out of the hypnotic sounds laid across the almost 16 minute finale. Full colour covers, pro-dubbed and limited to 100.
Bloodred c60 + c40 tapes, handstamped / inked in blackHandcut, dyed + scored custom chipboard O-cards / insertHandstamped red 8.5″ by 8.5″ insert with black letteringHandnumbered & stamped in roman numeralsScreenprinted artwork by D.S. Ciarán
There is a stench here so old that it rids the body of any uncertainty. It is a comfortable rapture. The stench comes not from distant swamps, putrescent and green in their small wakes, or the mounds of bone matter and meat made dust underfoot. This waft of hidden and yet all-too demanding treasures lifts itself steadily from the bated, beating wings of the Bird, on its eternal voyage somewhere far past home.
Originally released individually, Bible & Henry’s Marker and Magnet are two complimentary volumes in a set that covers quite a bit of ground, and covers it quite masterfully. The duo’s work here is mostly in the area of electroacoustic improvisation and musique concrète. Jeremy and Jason manage to utilize the tiny musical space they’ve allotted themselves and stretch it out to a length of over two hours. Typically I’d say this is an accident waiting to happen, but these fellows have pulled it off with class to spare. Never does anything sound recycled or looped, never is there a moment where the music returns to a point. It is always winnowing, sifting, threshing through waves of electronic abstractions and obscured acousmatic sounds. The result is a confounding experience in which I find myself searching for some familiarity and finding little. There are moments of potential clarity, but those are seldom and surprising when they arrive. The rest of these compositions are steeped in mystery and endless engagement. This is not background music; please listen with care.
Limited to 100 copies: C24.chrome grade cassette. BLACK…
Regularly releasing albums as a member of STEVEN PORTER for various international record labels, Sludge-Tapes presents Ducerey Ada Nexino, a solo album from the founder of the recent upstart Kyoto-based, 10 Label. Starting out with unexpected heavy, distorted guitar, this release moves from arhythmic tracks, like buildings crumbling in slow motion, to abstract interpretations of obsolete industrial techno. Unlike anything heard on other labels, this is a presentation of heterochromatic black-stepping techno.