Crackles and shapeless tones waft across each other in slow-mo digital drift, motherboard reveries transmitted deep from a hard disk on standby. There’s a satisfying sense of algorithmic self-determination at times here, yet the fact that these two pieces are actually edits of live, human performances in no way detracts from their terse machine anomie. Originally broadcast on BBC Radio 3 in 2016 – a triumph of public service broadcasting! – the first cut, there will be no miracles here, sees Maguire alternating the scuffle and buzz of his software with abrupt snatches of found sound. The disjunction between the two is deliberate, the disembodied voices of Maguire’s samples, possibly clips of old adverts and public information films, bursting out from the dusty blur as if trying to escape from an archive prison.
Fixtures’ contains 9 tracks that expand on the darker, more noisier elements found in the droning/ambient soundscapes Valles has been experimenting with as of late.
A blend of distorted sounds, dusty acoustic guitars, old pianos, and field recordings mixed with slowly evolving tones and brooding passages.
Released in an edition of 50 copies in cassette format & beautifully packaged in a 2 colour screen printed slipcase. Released through the Australian imprint Left (field) Recordings.
C24.chrome grade cassette. KELLY GREEN. Limited to 100 copies. Mp3 downloadcard included!
Experimental musician and guitarist, Kelly Churko – Canadian-born, Tokyo-based – is recognized as an integral part of the Tokyo underground scene, from jazz to improv to grindcore to noise. A computer creation, stoicism exudes over this continually developing, detailed and finely constructed, pulse-drone-centered work. A completely realized composition of a new type of drone core noise.
Pro-duplication and imprinting with full color double sided j-cards. Limited edition of 100 on chrome tape…Prune by Coppice is a 30-minute composition for tape studying foundation reduction, threshold permutation, mercurial residue, and compression techniques. Recorded in Chicago in late 2010 using pump organ, fire bellows, push-pump organ, samples, and electronic processing.
Side B includes two new works from N.N.N. Cook. Wu Wei I: Repose features the texture of select materials arranged in order to accentuate the color of each while inducing horizontal and vertical spatial movement. Material (and non-material) sources include: baoding balls, brass censer, feedback, porcelain vase, tape, voice, wine glass, and wooden flute. Wu Wei II: Impulse is the first 18 minutes excerpted from a 40-minute improvisation on electric organ. The meditative state involved in the creation/listening process and the immersive quality of engaging in the perception of the beats, overtones, and shading are its focus.
If you’ve ever had the chance to travel, you know that it changes your life. After a year on the road, from the jordanian dunes to the asphalt of Nashville, Julien Magot locked himself in his appartement to record ‘Fue’, the first album of his lonely adventure Appalache. If you’ve ever had the chance to travel for a long-time, you know how hard it is to fight against monotony of a daily life. This is maybe the start of this story, a way to escape from the outside world’s oppression, a dream about a dream inside a dream, where flashbacks can be possible futures. More than a story, ‘Fue’ can be the painting of a luxuriant desert under the moonlight, maybe like the one on the Barn Owl’s Lost In The Glare cover. 8 songs for 8 colors, leaded by an electric guitar and indians spirits, both hunting for serenity…