øjeRum – Skælver Fuglenes Vinger
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David Carter / The Witch Family
Sale, Tape
Limited edition of 125 copies: white c67 cassette with black imprinting // full colour single panel J-cards // plastic norelco cases with shrinkwrapping // artwork & layout by Amanda Boutourline and D.S. Ciarán…
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Damian Valles – Fixtures (Tape)
Sale, Tape
Fixtures’ contains 9 tracks that expand on the darker, more noisier elements found in the droning/ambient soundscapes Valles has been experimenting with as of late.
A blend of distorted sounds, dusty acoustic guitars, old pianos, and field recordings mixed with slowly evolving tones and brooding passages.
Released in an edition of 50 copies in cassette format & beautifully packaged in a 2 colour screen printed slipcase. Released through the Australian imprint Left (field) Recordings.
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Kelly Churko – Atrophy of the Instan
Sale, Tape
C24.chrome grade cassette. KELLY GREEN. Limited to 100 copies. Mp3 downloadcard included!
Experimental musician and guitarist, Kelly Churko – Canadian-born, Tokyo-based – is recognized as an integral part of the Tokyo underground scene, from jazz to improv to grindcore to noise. A computer creation, stoicism exudes over this continually developing, detailed and finely constructed, pulse-drone-centered work. A completely realized composition of a new type of drone core noise.
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Bible & Henry – Marker/Magnet (2 x Tape)
Sale, Tape
Originally released individually, Bible & Henry’s Marker and Magnet are two complimentary volumes in a set that covers quite a bit of ground, and covers it quite masterfully. The duo’s work here is mostly in the area of electroacoustic improvisation and musique concrète. Jeremy and Jason manage to utilize the tiny musical space they’ve allotted themselves and stretch it out to a length of over two hours. Typically I’d say this is an accident waiting to happen, but these fellows have pulled it off with class to spare. Never does anything sound recycled or looped, never is there a moment where the music returns to a point. It is always winnowing, sifting, threshing through waves of electronic abstractions and obscured acousmatic sounds. The result is a confounding experience in which I find myself searching for some familiarity and finding little. There are moments of potential clarity, but those are seldom and surprising when they arrive. The rest of these compositions are steeped in mystery and endless engagement. This is not background music; please listen with care.
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