Weather patterns around the world are shifting…and although it’s fortunately cooler than usual here in California this summer, tempers are still on the rise, tensions ride high, and criminal intent is always in the air! Our latest release reflects these sentiments…and for TRS072 we are bringing back an artist that we released last year. We are very pleased to re-welcome Morgen Wurde, aka Wolfgang Röttger, and his latest release, Assassinous Act!
We had told Wolfgang earlier in the year that we would be doing a “crime release” of sorts in the near future, and he promptly and enthusiastically agreed to compose a fictitious soundtrack for us to this non existent crime that is reflected in the packaging for TRS072. He has done a fantastic job to that effect! Dark and ominous at times…mysterious and reflective at others…the thirteen tracks here take us through the conception of the crime, to the actual acting out of it and beyond, to a final redemption and reckoning of sorts. With his “accomplices”, Maria Estrella Aggabao and Georges-Emmanuel Schneider, he has indeed provided us with a fitting soundscape to this release!
This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
As a sort of pantheist, or at least an artist who finds great stories hiding in the vast visual subtleties of nature – Subtle Trees is a classical music collage as much as it is an homage to classical music. It’s core is created through sounds gathered in the owl hours by sampling ancient instruments whose cores were derived from the trees of nature. These sounds were layered like lichen on an ancient pantheistic sculpture.