The absurdly appropriate deluxe version is composed of an actual “crime kit”…each of which comes contained in a zippered, textile evidence bag, and is hung and labeled with a hand distressed and numbered toe tag. Every bag contains all that you should need to figure out the parameters of this crime! The actual potential murder weapon in the form of an antique ice pick w/bullet attached (not live ammo), a vintage mug shot and fingerprint card, a copy of an antique fingerprinting magazine, a hand typed out and repurposed evidence envelope with factory pressed “soundtrack” disc inside it, a hand modified blood spatter test card, a mysterious vintage coat check tag with brass key attached, (what’s in the locker?), and other evidentiary objects of interest to anyone trying to figure this crime out!
Put this evocative soundtrack on while studying the objects at hand, and see if you can solve this whodunnit!
Limited edition run of just 120 full glass-mastered CDs, coming in a thick card gatefold sleeve, each one screenprinted in two colours, individually numbered and sewn together, enclosing a fold-out double-sided screenprinted insert.
The latest record on Tartaruga is the second full-length from Max Bondi. A departure of sorts from previous work, the album is an exploration of constraint, limitations, and repetition. Fragments of sound fold in upon themselves, constructing subtle patterns and melodies which overlay, interfere and diverge, varying from dense clusters of pulsing frequencies to torrents of cascading electronic notes.
This is uncompromising machine music, but with a melodic edge, rhythmical but irregular, ‘electrical’ rather than electronic. The record develops over the course of ten tracks, each one building up on top of the previous in successive waves.
Each of these gorgeous deluxe versions, in this edition of 100, will come in a fused double envelope package, comprised of two 6.5″ square, Midnight Black envelopes. Each of these envelopes will be hand worked/stamped/artified in the usual TRS manner…in one of them will come the black digipak in it’s own translucent envelope, also stamped, and in the other half of the package will come a set of three banded 4″ x 6″ hand printed color prints, on 300lb Moab Rag Natural paper, with accordingly mysterious quotes/Strieisms, and a 4″ x 6″ unassembled jigsaw puzzle also in it’s own translucent envelope featuring, as far as we know, the only somewhat recent picture of Ms Reinhart in existence. Strie is a puzzle..and is being released as such…
Funky packaging design with this one: Includes screen printed belly bands wrapped around thick green gatefold card that has an inner card which CD rests inside… Love it!
Most of us are living in an urban world, dominated by constant noise and contagious stress. Our ears are conditioned by this aggressive environment and have often lost the ability to perceive another discreet world surrounding us. It might be hidden but also swarming, vivid and incredibly musical. We are all able to prick up our ears to some birds chattering together, the wind shaking leaves, toads singing serenades or old spirits telling us their immemorial adventures…
Since its creation in 2006, Jüppala Kääpiö has tried to substantiate what they were hearing and feeling from animals, plants or even minerals that they met in their living places in different countries and during travels in different continents.
“Animalia Corolla” is a record of feasts of spirits gathered from the whole world. Their songs, dances and conversations about the synchronicity of their dreams have been transcribed in this album.
Jüppala Kääpiö is a Swiss and a Japanese duo. They settled in Brussels in Belgium in summer 2011 after staying in Switzerland , Canada, Mongolia and Japan.
The life in multicultural/lingual situations naturally gave to their music a style which might be called cosmopolitan folklore music.
CD release with a limited edition, 50 page book complete with beautiful images and texts eluding to the recording materials, machinery, processes and personnel. The book also encompasses an audio cookbook with recipes for you to create your own experimental audio loops and soups.
The culmination of a year’s worth of sound experiments with machines of a bygone era, The Otolith Sessions sees Elsie Martins ‘Atom Eye’ project realise it’s most ambitious and complete work to date.
A meticulously programmed full length as opposed to a collection of tracks the album develops and unfolds with a palpable sense of purpose and adventure over the albums six storied compositions. The visceral nature of the beautiful but abstruse music is no fluke but a deliberate result of the unhurried nature of the albums writing and production process.
The Otolith Sessions was mixed & co-produced by James Aparicio (Liars, Spiritualized) and features guest appearances from regular collaborators; award-winning percussionist Pete Lockett (Björk, David Holmes, Royal Philharmonic Orchestra, Lee Scratch Perry, Primal Scream) and Mute Artist, Composer and Producer Simon Fisher Turner (whose work includes soundtracks for Derek Jarman’s Caravaggio, The Last of England, The Garden and David Lynch-produced Nadja).