MayMay is Laurel Simmons. Hailing from Portland, Oregon, Simmonsʼ debut solo album, “And So I Place You In the Setting Sun” is a gorgeous, quietly powerful mediation on the acceptance of transition.
Simmons is no stranger to creating pastoral, evocative music, having exercised her considerable vocal and instrumental skills as a member of beloved Portland chamber-folk darlings Loch Lomond, as well as collaborations with a variety of other well-regarded acts, including international touring with peers such as Alela Diane and Rauelsson.
MayMay began during Simmonsʼ ﬁrst winters in the Paciﬁc Northwest leaving her homesick for the deserts of her native Arizona and the closeness of generations of family she left behind. MayMay is named in homage to her Arizona roots, in particular her grandmother Barbara Mae May.
“And So I Place You in the Setting Sun” is a remarkable record, willing to experiment with the tension between ambiance and rhythmic texture, while nostalgia and eloquent melodies arrange themselves into dynamics that are compelling yet wanting. The instrumentation blooms and fades like seasons through artful arranging and listeners come away with the notion of how triumphant the heart can be.
The collision of Simmonsʼ somber, ethereal vocals with lyrics permeated by images of sunlight and evocative themes of the process of letting go results in a record that truly sticks with the listener.
This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
Presented in the Tartaruga house style, (thick recycled cardboard gatefold sleeve), this release features a beautiful screen-printed design from Bruno Jones, in bright Phthalo Green. The CD comes with a two-colour screen-printed foldout insert, again featuring illustration from Bruno Jones, printed on high quality Pergamenata paper.
Each CD is numbered from 1 to 200.
The CD features a fantastically detailed drawing from Bleeding Heart Narrative, folding out around the gatefold thick-card sleeve in a two colour print.
All copies come with a 12-panel foldout insert, and the 200 limited copies also include an extra two-colour numbered screenprint, and are also hand-numbered and sewn together.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..