Mark Templeton – Gentle Heart

An example of this can be seen in how the track titles suggest a sense of Western tropes, but the music is anything but, not intentionally misleading the would-be listener but rather nodding to a set of ideas and images that drive the artist’s intentions in this album, and through his interpretations the tracks become far removed from any assumption of what these words or images may mean. It speaks to what is happening in the background and lets the listener think about how one point moves to another. It is not a strict form. It is a flexible guide that allows the music to touch things that it doesn’t hold on to tightly – playing with mood and tone while veering into its own direction.

Much in this vein Gentle Heart closes with two pieces that make one think of a vast prairie, one that has been rearranged in a computer and put back together – not to make it more digital but to make it new through the perspective of today. Twangy guitar strums filled with hisses and fuzz roll into clipped phrases that are nostalgic in their specific way, a modern imagining of a past time that may hold a sense of simple peacefulness, of space, of a long view that goes forever. -Ezekiel Honig