Entitled, “Tree Of Life”, these 10 patient, languid tracks take their time in evolving…peaceful and innocent in tone…soft and sensitive in nature…almost not there at times…these gentle sounds are made for those most relaxing moments of the day, when you can lie back, empty your mind, and wind down to these seemingly slowed moments in time.
Available in one hand made version, in a limited edition of 100 copies. Each of the factory pressed CD’s comes housed in a double pocketed package made from folded sheets of vintage grasscloth wallpaper. The front of each folder has attached to it a hand stamped square of wood veneer, each one unique. The disc in it’s cotton sleeve is folded inside an illustrated page from a vintage book on the timber industry. There is also a beautifully stamped and sewn strand of 7 vintage kanji language learning cards. Imagery of Japanese landscapes and flora and old musical lesson cards are also contained within. And finally…strung from the front of each folder is an antique wooden Hanko signature seal. And it all comes in a forest green, hand stamped envelope.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.
The compilation features 12 tracks from some of the globe’s most talented sound-designers. It is a subtly rewarding headphone listen from start to finish; curated and ordered to purposefully induce a state of sleep. Starting off minimally, gradually gathering tone and atmosphere, the experience goes on without ever boiling over or reaching a crescendo. Parts of the album are light and restful whereas traces of it tread darker territory. All in all, the imagery that the album conjurs sits perfectly as a soundtrack to the dreams one experiences during a nights sleep.