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Jessica Curry – Fields Were the Essence (Deluxe)
Available only in a limited fine art edition of 80 copies. Each of these pastoral beauties comes housed in a vintage 3.5” film can. Included in the can is an artified, 3″ mini CD hubbed to the inside of the lid, a set of 4 round hi-res photographic prints of Jessica’s walking locale, copies of her original score for the piece, twigs gathered on her walks, and a mini textual scroll, all nestled on a bed of moss. Each can itself is hand stamped on the outside, covered with photo and credit info, and verbiage hand typed on an antique typewriter. Befitting the music to the extreme!
Ekca Liena is an alias of Daniel W J Mackenzie which concentrates on the celestial, melancholic and sometimes blissful side of ambient music. Over the range of his enchanting, mainly long-form compostions there is a clear influence from ritual psychedelic, noise, doom, post-rock and at times modern classical arrangement. His discography has seen work on a variety of labels including Dead Pilot, Small Doses and Entropy and with an enormous amount of material currently in the works this list is hoped to expand.
Limited edition run of 65 3″ CD-R’s on hand stamped and numbered recycled packaging…
Regular Music is an improvisational electronic trio from Portland, Oregon that uses modern synthesis in real-time, as well as analog synth, acoustic drums and percussion for a sense of exploration and sound that is sympathetic in nature to early electronic pioneers, cinematic kosmische, and psychedelic post free jazz acid synth inner space music.
Limited to 100 copies worldwide. 3″ cd-r comes with download code in gorgeous letterpress cardstock…
Piano Vert is an installation piece for three concentric tape loops; 8, 9 and 10 feet long. Three short piano patterns are cut into loops from an extended piece and played back simultaneously with minimal live adjustments. The first in szilárd’s “colourpalette” loop series.
Letterpress by Ben Owen @ Middle Press, Brooklyn.
Mastered by Greg Davis.
Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!