I've always cared more about what's left unsaid, the less certain truths lightened through nuance not statement. It's unsurprising then that scattered throughout layers of the original twenty-one tracks are half-remembered melodies and fragments of what might have been. I knew the final released mixes could only be versions, as definitive as possible but ever fertile for reweighting, rebalancing and reimagining. Simply to recombine a few elements on many of these productions is to invite another composition to spontaneously unfurl, often equally faithful to the spirit of my intent as the original.
Artists are all circling their private collection of hopes, fears, dreams and disappointments, looking at this strange assemblage from every angle, pushing and pulling to see what falls out. It's through this focused, sustained introspection that we occasionally get a glimpse of something beyond ourselves, enough perhaps to convert into something worthwhile to say aloud. I'll continue to look inward in my work in hopes of finding this gold of the soul, but here, now, I invite you back to one of the richest veins I've struck to date; to the waters that submerge, the patient, extended hand and the aching foothills of regret. Floods Returned. – James Murray
Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.
Presented in the Tartaruga house style, (thick recycled cardboard gatefold sleeve), this release features a beautiful screen-printed design from Bruno Jones, in bright Phthalo Green. The CD comes with a two-colour screen-printed foldout insert, again featuring illustration from Bruno Jones, printed on high quality Pergamenata paper.