Heine Christensen (the man behind the ‘ghost and tape’ moniker) and I have been friends for a number of years now, and I’ve been a fan ever since I discovered his first self-titled release for Akira Kosemura’s superb Schole label quite randomly in a record store in Tokyo while admiring the artwork. I ended up buying this based on the art alone, and immediately went back the next day to buy the only other album I could find by him, ‘Home’.
The music of ghost and tape is deeply intricate, and so careful is he in the work he does, this marks only his fourth studio album since his debut back in 2010. I’ve always admired people who take their time with their music for they appreciate the finer details and seem to understand music as a timeless quantity. This is a sadly rare quality now as things come and go, but in line with Home Normal’s ethos is a belief that truly lasting music must in its very nature have a certain timelessness that transcends whatever maybe ‘in’ at a particular moment in time.
Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
The compilation features 12 tracks from some of the globe’s most talented sound-designers. It is a subtly rewarding headphone listen from start to finish; curated and ordered to purposefully induce a state of sleep. Starting off minimally, gradually gathering tone and atmosphere, the experience goes on without ever boiling over or reaching a crescendo. Parts of the album are light and restful whereas traces of it tread darker territory. All in all, the imagery that the album conjurs sits perfectly as a soundtrack to the dreams one experiences during a nights sleep.
Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010.
The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response.
The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.