The city has passed through us like a big wave of dust carried by the wind we found ourselves covered by debris, passing skeletons shadows of leaves, passages, spells, voices of pianos from the windows
memories of places that live in several times ardours and fervours and odours we have immortalized them.
We have brought the simulacra with us we have watched them from the Estrada Atlantica, from the singing pits of Salento, from the immense Metrosideros of Monserrate with the organ of a church in the Itria Valley, from our home in one year of work the Giardino Forico appeared it behaves like life, it brings
it appropriates the airs, the colours, the languages and the ways it does not represent it shows its vigour which is our own. The Giardino Forico is a way of giving back a place, a knowledge, a humanity through our languages. It is the result of a vital artistic process, we listen and observe the space and we speak it.
Talkingmakesnosense is Dominic Dixon of Glasgow who has been making music in one form or another since he was a child. Most recently, he’s been releasing records on the now sadly defunct Benbecula Records, and now a new album on Rural Colours.
Coruscates consists of four long-form tracks, each tipping past the ten-minute mark.
An edition of 100, CD and cover packaged in a translucent envelope.
Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.