Colbets is a Japanese duo of Saitoh Tomohiro from Shreber Harber Mole Flying Wheel who teamed up with guitarist Kari Takemoto to form their ambient minded project Colbets, from Tokyo Japan. Silent music of resounds, time sleeps and warm air. “and silence” is their 5th album following releases from labels such as Twisted Tree Line, Vent and U-cover.
Based around Kari Takemoto guitar and Saitoh Tomohiro synthesizer and trumpet, including collaboration with cello James Bryan Parks (aka Holy Kind Of) “and silence” contains five beautiful tracks become a very atmospheric experimental journey. Featuring stunning cover art from Phil Gardelis (aka Zenjungle) This release comes in a printed 2 panel card edition of 50 copies with factory replicated disc.
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.
I first came across Marihiko Hara’s work in 2007, with his ‘Cesura’ release on the excellent Italian net-label – Zymogen. It really drew me in more than most other work that was doing the rounds at the same time. It had the sort of organic details and attention to beautiful subtle developments that I had only really heard in offthesky and Nicolas Bernier before (both label mates on Zymogen I should add). It became my soundtrack to that year and an album I returned to almost daily during the winter months. After this I followed Marihiko’s work carefully, from his rather fantastic 2009 ‘Icon’ release on Cotton Goods to his recent ‘Prosa’ collaboration with Tomas Phillips on Tench Records.