Barcelona based piano player and electronic musician Bruno Sanfilippo is a classically trained musician and composer who has been exploring the borders of minimal piano concepts and electro-acoustic music for more then 20 years. His CD series “PianoTextures“ sets him in a direct tradition of artists as Harold Budd and Brian Eno, combining slow piano tunes with electronic soundscapes. With “ClarOscuro“ he now makes his step into the genre of modern classical music by presenting his first composition work for piano trio. Most of the nine tracks on the album feature Sanfilippo accompanied by spanish musicians Manuel del Fresno on violincello and Pere Bardagi on Violin, while some of the tracks still let the sensitive piano playing stand on its own. With the fragility and beauty of some Arvo Pärt compositions and a high cinematic touch, “ClarOscuro” brings the perfect soundtrack for an imaginary movie.
Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.