Bloodred c60 + c40 tapes, handstamped / inked in black Handcut, dyed + scored custom chipboard O-cards / insert Handstamped red 8.5″ by 8.5″ insert with black lettering Handnumbered & stamped in roman numerals Screenprinted artwork by D.S. Ciarán
There is a stench here so old that it rids the body of any uncertainty. It is a comfortable rapture. The stench comes not from distant swamps, putrescent and green in their small wakes, or the mounds of bone matter and meat made dust underfoot. This waft of hidden and yet all-too demanding treasures lifts itself steadily from the bated, beating wings of the Bird, on its eternal voyage somewhere far past home.
Utilising both analogue synthesis and a dynamic range of acoustic instrumentation, Bird From the Abyss’ Matias Aaltonen crafts definitively archaic compositions and flawlessly timed improvisations steeped in universal mystery. The tectonic movements developing and unfolding from these unholy hymns mold and fold into one another, cutting clear marks across certain borders while blurring any known remnants of others.
This eponymous opus combines three previously-released and long out of print EPs (I, II & III), a track created as an ‘electronic synthesiser installation’ (Electric Forest), and two previously unreleased tracks.
The third album of the NQ / Teamforest collaboration: limited tape edition of 100…
Recorded in a makeshift lakeside studio, Beth Kleist’s Drei is the sometimes psychedelic, sometimes pastoral third album from Nils Quak and Philipp Bückle. The album haunts and teases its way through mostly guitar, percussion, and electronics without settling long into an idiom before leaping headlong into a new idea.
Lovers of kraut rock, post-spectral drone, twee electronica, and especially postrock in all of its shifting facets will find pockets of bliss in Drei.
Pro-duplication and imprinting with full color double sided j-cards. Limited edition of 100 on chrome tape…
Prune by Coppice is a 30-minute composition for tape studying foundation reduction, threshold permutation, mercurial residue, and compression techniques. Recorded in Chicago in late 2010 using pump organ, fire bellows, push-pump organ, samples, and electronic processing.
Side B includes two new works from N.N.N. Cook. Wu Wei I: Repose features the texture of select materials arranged in order to accentuate the color of each while inducing horizontal and vertical spatial movement. Material (and non-material) sources include: baoding balls, brass censer, feedback, porcelain vase, tape, voice, wine glass, and wooden flute. Wu Wei II: Impulse is the first 18 minutes excerpted from a 40-minute improvisation on electric organ. The meditative state involved in the creation/listening process and the immersive quality of engaging in the perception of the beats, overtones, and shading are its focus.