Originally released individually, Bible & Henry’s Marker and Magnet are two complimentary volumes in a set that covers quite a bit of ground, and covers it quite masterfully. The duo’s work here is mostly in the area of electroacoustic improvisation and musique concrète. Jeremy and Jason manage to utilize the tiny musical space they’ve allotted themselves and stretch it out to a length of over two hours. Typically I’d say this is an accident waiting to happen, but these fellows have pulled it off with class to spare. Never does anything sound recycled or looped, never is there a moment where the music returns to a point. It is always winnowing, sifting, threshing through waves of electronic abstractions and obscured acousmatic sounds. The result is a confounding experience in which I find myself searching for some familiarity and finding little. There are moments of potential clarity, but those are seldom and surprising when they arrive. The rest of these compositions are steeped in mystery and endless engagement. This is not background music; please listen with care.
Marker is the first in a two part album concept for the Gruenrekorder label by Canton, Ohio, US based sound artists Jeremy Bible & Jason Henry. Marker combines multiple elements in order to create constructed fictional environments, realities, locations, and atmospheres. Field recordings captured from the northeast Ohio region and often times in and around the individual artist’s homes, processed and clean, play a large part, alongside treated and processed acoustic instruments and subtle touches of electronic sound design.
The two albums, Marker and Magnet, were created with the intention of being experienced both individually and consecutively allowing for up to four unique listening contexts. It is also recommended that the pieces which the two albums are comprised of are combined and experienced in a random manner creating infinite listening experiences.
The sound elements presented on both Marker & Magnet were recorded, composed, performed, collected, and organized by the artists individually over a period of time for the intention of a single impromptu & improvised collaborative recording session. Following this ‘content collection’ period the artists met for a lengthy recording session at Jeremy Bible’s Experimedia Studio1 where these individual sound elements were arranged, processed, and mixed by the two artists in an improvisational manner under conditions of half sleep like states of subconscious focus. The elements of surprise introduced in a collaborative improvisational recording scenario play a large role in the duo’s process and resulting sound works.
The third album of the NQ / Teamforest collaboration: limited tape edition of 100…
Recorded in a makeshift lakeside studio, Beth Kleist’s Drei is the sometimes psychedelic, sometimes pastoral third album from Nils Quak and Philipp Bückle. The album haunts and teases its way through mostly guitar, percussion, and electronics without settling long into an idiom before leaping headlong into a new idea.
Lovers of kraut rock, post-spectral drone, twee electronica, and especially postrock in all of its shifting facets will find pockets of bliss in Drei.
C24.chrome grade cassette. KELLY GREEN. Limited to 100 copies. Mp3 downloadcard included!
Experimental musician and guitarist, Kelly Churko – Canadian-born, Tokyo-based – is recognized as an integral part of the Tokyo underground scene, from jazz to improv to grindcore to noise. A computer creation, stoicism exudes over this continually developing, detailed and finely constructed, pulse-drone-centered work. A completely realized composition of a new type of drone core noise.
C30.chrome grade cassette. RED. Limited to 100 copies. Mp3 download card included…
Sound designer and programmer, Yousuke Fuyama, is a front runner in the academic world but fully embedded in the avant garde audio/visual scene. An updated version of his Sonar performance generated by the mutual exchange of music and sound data. An unexpectedly accessible work of noisy, extra-dimensional, abstract sound. A stunning blend of rogue, 4D glitch.
Bloodred c60 + c40 tapes, handstamped / inked in blackHandcut, dyed + scored custom chipboard O-cards / insertHandstamped red 8.5″ by 8.5″ insert with black letteringHandnumbered & stamped in roman numeralsScreenprinted artwork by D.S. Ciarán
There is a stench here so old that it rids the body of any uncertainty. It is a comfortable rapture. The stench comes not from distant swamps, putrescent and green in their small wakes, or the mounds of bone matter and meat made dust underfoot. This waft of hidden and yet all-too demanding treasures lifts itself steadily from the bated, beating wings of the Bird, on its eternal voyage somewhere far past home.