Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
Baseline covers the related areas of graphic art, multimedia, architecture and typographic design. The articles are written by internationally recognised contributors and its design and print production regularly wins major international design awards.
Welcome to Baseline issue 58, our spring issue. As usual the designs of the cover and jacket reflect some aspects of the features published here. The cover shows the numbers 50 and 8 in Lagoon, an Armenian typeface by Carolyn Puzzovio. The jacket, which doubles as poster, is a photographic collage of urban stencil characters.
The two books, which are reviewed, are essential references for any serious design library.
Paul Shaw reflects on Helmut Schmid’s homage to Emil Ruder, typographer and educator at the renowned Kunstgewerbeschule in Basle. Paul Razzell comments on David Jury’s vast 400 pages artist book reference catalogue, which presents an important record of the first biennial Codex Book Fair and Symposium, Berkeley, California.
A little over a year ago, blow magazine was no more than a loose idea waiting to take shape. Over the past twelve months we have cultivated a visual collection to honour the printed image, to celebrate known photographers and to shed a light on fresh talent.
So it is with celebration in mind that we present to you our third issue: The Body Issue. One of the most photographed of subjects, the human body is infinite in its ability to communicate visually. Regularly a study of shape and form, sometimes a tool for social commentary and often a subject of controversy, the body acts as a human landscape with endless possibilities for expression and interpretation.
Each issue has around 168 pages and includes high-quality colour reproductions of the artists’ work.
Issue 26 looks at questions of pedagogy, such as gallery education, Godard’s didacticism, Lina Bo Bardi’s exhibition displays, and through the artists Catherine Sullivan, Isidoro Valcárcel Medina and Group Material. Accompanying texts look at Hans Eijkelboom, theorisations of the event and the current Moscow art scene.