You Were Always An Island opens with a downpour of rain. Staring out at its constant fall, listeners can only wait for it to stop. The music’s already waiting: for someone, and for a moment that will never arrive…
Alaskan Tapes aids in the clear-up operation, helping to cleanse the air if not the growing solitude. Quiet drones and sullen strings dispel the rain, but it lingers in the streets, overflowing around the mouth of its gutter. The music has been invaded by a longing which spreads like a tendril of ink in clear water, bruising the atmosphere with its purple, sour colour.
An event shakes the soul with the magnitude of an earthquake. In this case, the cruelty of distance and the greater cruelty of war which separates a couple. As a man leaves to fight, his beloved has no other choice but to wait for his return. She sends unanswered prayers. His absence grows longer with every sunset. Unable to wait and growing increasingly anxious, she sets off to look for him, a lighthouse offering a faint lifeline in the gathering gloom, only to sadly learn of his death. The separation is permanent – death us do part.
Two tone / 4 panel hand made letter-pressed Somerset cotton CD covers, glass mastered CD, 12 x hand drawn images by the artist printed on luxury Gesso card (size A6) / 1 x vintage (Circa 1890 – 1919) glass negative / patchouli scent. All of the above rests inside stitched / sealed glassine bags, individually hand numbered on stamped tags. Download code
Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.
Bridge Carols is the meeting of two artists with unique timeless approaches to music. Neo-Americana folk singer Laura Gibson is gifted with a soft and singular voice (not unlike the voices of Josephine Foster and Joanna Newsom) and writes songs that could date back a century or foretell a future rural life. Electronician Ethan Rose is vested in antiquated instruments and technologies – a sonic recycler who, out of the old, has been creating a new form of ambient music.