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    Liondialer – LIVE!

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    Made up of Greg Haines & Danny Saul, Liondialer were formed in Manchester during 2007, and are now split between Manchester and Berlin. They play entirely improvised music on sporadic shows and tours around Europe.  
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    Warm Widow – Widower

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    Manchester’s Warm Widow never really intended to make this album – well, not in the way that “Widower” presents itself anyway. This was supposed to be the scratchy blueprint for the actual Warm Widow album, recorded, you know, like proper albums are recorded: in a recording studio perhaps, with an array of ‘appropriate’ microphones, with an actual producer (or certainly an engineer), and time to allow the band the breathing space to ‘nail it’, with additional options to try multiple takes and overdubs – in general, recording with a certain amount of control and ease.  
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    Richard A Ingram – Consolamentum

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    White Box Recordings have so far proven that they are a label to be reckoned with. Previous offerings from the likes of Danny Saul and Liondialer demonstrate that these guys mean business and Consolamentum confirms this as he presents a stunning collection of expressive compositions…  
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    Arkhonia – Trails/Traces

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    Arkhonia’s “Trails/Traces” fulfils the much promised, but seldom delivered, remit of large portions of ambient music – “to take the listener on a journey”… From the deep rumblings of the album’s opener to the final decaying notes and crackles of its closing track, all manner of mood-shifting experimentation directs (and occasionally derails) the listener along a sonic path that is at times unnerving and, at others, warmly welcoming.  
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    Cezary Gapik – Contrast

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    Contrast I is the latest work from Polish experimental musician Cezary Gapik and comes via White Box Recordings, the first in a trilogy of the artists works to be released by the label… When first experiencing a work that comprises two tracks, half of which could fairly be described as noise, one cannot help but consider the artist and their intentions, to try and gauge their sincerity. In this case though, the artists intent can be safely assured. With a long history of noise-making, Gapik has an extensive back catalogue of small run releases and CDr’s. Born 1963 in Czestochowa, Poland, Gapik was originally drawn to Punk Rock and Post-Punk while an interest in avant-garde icons such as Morton Feldman also existed alongside his more confrontational tastes. Presumably touched by the 1980′s industrial music scene, the artists bio refers to his music as ‘power electronics’, a term coined by the ever controversial William Bennett of infamous noise legends Whitehouse.
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