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    Good Weather For An Airstrike – Lights

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    This is a limited edition of 200 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped dark brown cardboard envelope with the front cover image printed on a polaroid style photo paper… Good Weather For An Airstrike is an ambient/post-rock project by Tom Honey from Winchester, Hampshire in the UK. Taking the name from the Sigur Ros masterpiece Viðrar Vel Til Loftárása, Tom started the Good Weather For An Airstrike project in 2009 influenced by artists like Sigur Ros, Stars of the Lid, Eluvium and Hammock. The idea of the project was to create a collection of relaxing sounds which would help Tom alleviate the issues caused by suffering from tinnitus, which causes a ringing sensation in the ear and can often result in difficulty sleeping. He is also member of Damn Robot! and Sleepless Dreams and has previously released his Good Weather For An Airstrike albums & EP’s through Hibernate Recordings, Rural Colours, Bad Panda Records, Sonic Reverie and his own Hawk Moon Records. Lights is Honey’s most accomplished work to date, demonstrating a progression in his talent and skill in composing. Following on from last year’s well received Underneath The Stars album, Good Weather For An Airstrike has expanded his sound to create Lights, a blissful album combining processed guitars, dreamy strings, piano, synths, banjo, drums, lulling drones and subtle field recordings. Lights is a substantial release full of wonderful soundscapes that mix perfectly ambient, electronic, post-rock and neo-classical sounds.
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    Silencio – Floods

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    Limited edition of 200 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped dark green cardboard envelope with the front cover image printed on a polaroid style photo paper… Silencio is a musical project, presently based between Brussels, Belgium and the north of France, created by Julien Demoulin in the early 2000’s and focused on exploring themes such as absence, memory, distance and sleep. Having released four albums so far, with the help of his friends Bernold Delgoda, Nicolas Lecocq and Lénina Epstein, his music is a mix of ambient, post-rock and electronic. Floods is the fifth album of Silencio, including 12 tracks that are simultaneously warm and cinematic, reminding the sound of Stars Of The Lid, Labradford and Eluvium. The album was originally released in 2010 as an unofficial 10-track cdr in an extremely limited edition of 40 copies, just for friends and some fanatic listeners, and is now released officially by Sound In Silence with new artwork, including two bonus unreleased tracks and being, for the first time, properly mastered by George Mastrokostas (aka Absent Without Leave). Floods is a collection of wistful and melancholic melodies played by Demoulin, Delgoda, Lecocq and Epstein using guitars, synthesizers, electronics, bass, drums and percussion.
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    Stafrænn Hákon – Prammi

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    This is a limited edition of 300 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped blue recycled cardboard envelope with the front cover image printed on glossy photo paper and two inserts, with the tracklist and credits, printed on nice fabric paper…
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    David Newlyn – Good Luck

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    This is a limited edition of 200 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped black cardboard envelope with the front cover image printed on a polaroid style photo paper Sound In Silence is happy to announce the return of David Newlyn, presenting his new album Good Luck (Enigma). This is his second release on the label after the, already sold out, collaboration album O.S. with Yellow6 back in 2012. Since 2006 his releases have appeared on labels such as Mobeer, Cotton Goods, Symbolic Interaction, Tokyo Droning, Time Released Sound, Hibernate Recordings and on his own October Man Recordings and Cathedral Transmissions. On Good Luck (Enigma) he offers ten new tracks in about 43 minutes, shifting from electroacoustic ambient to minimal neoclassical. Knowing perfectly how to use his devices, including computer, keyboards, cassette tape, guitar and loop station, he creates a beautiful chilled out collection of sounds which appeals to all fans of atmospheric and cinematic music.
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    Ben Rath – Forgiveness

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    his is a limited edition of 150 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 240 gsm grey cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 160 gsm light blue cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... Forgiveness is his sixth full-length album and first for Sound In Silence. The album’s eight tracks were recorded at home, combining over-lapping layers of acoustic guitars and electronics. Borrowing textures and sounds from cinematic post-ambient and drone composition and adding some emotional motifs of soothing post-rock and fragile shoegaze, he creates a wonderful sound collage, full of heartwarming soundscapes and restful harmonies. Forgiveness is a profoundly touching album that will appeal to anyone moved by the music of artists such as Eluvium, Fennesz, Stars Of The Lid, Wil Bolton and Yellow6.
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    Panoptique Electrical – Disappearing Music For Face

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    This is a limited edition of 200 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts with the tracklist and the credits printed on a 190 gsm reddish-brown cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... Disappearing Music For Face is another outstanding release from Panoptique Electrical that generates many emotional reactions. It’s a collection of eleven brilliant compositions of gentle piano with small touches of minimalist electronic beats, echoing keys and soft swells of heavily reverbed drones. The beauty of this album will truly captivate the audience of both ambient pioneers like Brian Eno and Harold Budd and artists like A Winged Victory For The Sullen, Labradford and mid period Hood recordings.
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    Ghost – The First Time…

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    This is a limited edition of 200 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm green-grey cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 190 gsm saffron yellow cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... The First Time You Opened Your Eyes showcases (ghost)’s atmospheric side to a fuller extent than in any of his previous releases by presenting an epic ambient journey with duration of something more than 34 minutes. The complex glitchy beats are left behind and only beautifully evocative soundscapes and calming atmospheres remain. The album captivates the listener with its lush instrumentation and warm palette of multiple layered emotional textures of resonant synths and droning feedback as indistinct dreamy vocals emerge somewhere in the distance. An impressive album, highly recommended for devotees of Deaf Center, Brian McBride and Eluvium.
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    Miaou – Bring The Lights EP

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    This is a limited edition of 300 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped green recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts with the tracklist and credits… Miaou are a band based in Tokyo, formed in 1999 by Tatsuki Hamasaki and sisters Mayumi & Hiromi Hasegawa out of a university project and a shared love for music. To date they have released four albums, one remix album, two EPs and one split EP (with Below The Sea) on labels such as Thomason Sounds, Teto Records, Preco Records and Noon Records and have collaborated with artists like Ben Cooper (Electric President/Radical Face) and Ben Holton (Epic45). They have played live across Japan, China, Hong Kong, Taiwan, Ireland and UK and have toured with Epic45, Below The Sea, Tracer AMC, Art Of Fighting, Radical Face and Not Squares. Miaou have also contributed to various compilations and have done remixes for the likes of EF, Not Squares, Masha Qrella and many others. On Bring The Lights EP they present five new captivating tracks, blurring once more the lines between post-rock and electronica. The perfect combination of wistful guitars, swelling synths, fender rhodes, glockenspiel, samples and glitchy beats, alongside with instruments like piano, cello and flute, results in about half an hour full of warm and blissful melodies. The finishing touch on the dreamy sound of Bring The Lights EP was applied by the mastering of George Mastrokostas (aka Absent Without Leave), bringing to mind the best moments of The Album Leaf, Epic45 and Mum.
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    Absent Without Leave – Faded Photographs Remixes (2 x CD)

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    This is a limited edition of 500 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped white recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert printed on nice fabric paper… Absent Without Leave is the solo project of multi-instrumentalist George Mastrokostas, based in Athens, Greece. To date, he has released three full length albums, four EPs and six split/collaborative releases on labels such as Distant Noise Records, Unlabel, Chat Blanc Records, Awkward Silence Recordings, Thisquietarmy Records, Three:Four Records, Duotone Records and many others. Occasionally he has done some selective live shows around Europe and has shared the stage with many talented artists, including 65daysofstatic, God Is An Astronaut, Port-Royal, I Like Trains, Jeniferever, Arms And Sleepers, Piano Magic, Manyfingers, and others too. Faded Photographs was originally released in late 2010, including guest appearances by Port-Royal, Stafrænn Hákon, Epic45, Millimetrik and members of Hood, The Declining Winter, Eksi Ekso, Plumerai and Tupolev amongst others. The album received really great reviews from many magazines, webzines, blogs and radio shows worldwide and was promoted with the first ever Absent Without Leave European tour in spring 2011.  
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    Julien Demoulin – Loose Ends

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    This is a limited edition of 200 handmade and hand-numbered collectible CDr copies, packaged in a lovely hand-stamped green cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts, with the tracklist and credits, printed on transparent paper... Loose Ends, his first full-length release under his own name, is something more than a proper debut album. It’s a wonderful collection of eleven tracks composed and recorded during the last ten years. These tracks were a good occasion for Julien Demoulin, when he wanted a breather from Silencio, to collaborate with some of his friends, including Bernold Delgoda (Silencio), Christophe Bailleau, Nicolas Saez (Anorak, Finish Yor Meal!), Luis Solis (Bacanal Intruder), Davy Van Den Bremt (Quniunb), Isabelle Casier (Pollyanna) and David Martin, who has also done the mastering of the album. Compared to his previous, more ambient, releases, Loose Ends has a more upbeat vibe with a clear focus on rhythm and melody. A great mixture on the border between dream-pop and electronica, combined with elements of ambient and post-rock and a must-have for fans of Manual, Lights Out Asia, Epic45 and July Skies.
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    Thee Koukouvaya – Witches’ Jelly

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    This is a limited edition of 115 handmade and hand-numbered collectible CDr copies, packaged in a lovely hand-stamped black cardboard envelope with the front cover image printed on a polaroid style photo paper and a transparent paper insert... Thee Koukouvaya is the conceptual aural sister city to Vilandredo, Rethymno, on the island of Crete. The group’s architects, based on the East Coast, introduce themselves with the 28-minute Witches’ Jelly, an epic ambient journey built upon three movements packed with glacial drones, layers of modular synthesizer, and generative digital sequences. Both ominous and celebratory, Thee Koukouvaya engineer inhuman otherworldliness steeped in sci-fi paranoia. The result is a deliberately damaged music, generating a sonic liminal space between the organic and the mechanical.  
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    The Declining Winter – Endless Scenery

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    This is a limited edition of 450 (a first edition of 300 which is now sold out and a second edition of 150) handmade and hand-numbered collectible CDr copies, packaged in a lovely hand-stamped white recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and credits. It also comes bundled with a download code coupon and a Sound In Silence card... Hushed, drenched in reverb, vocals, loops of nostalgic guitars, largely acoustic ones, piano, melancholic organ lines, droning ambient synths and minimal drum beats, combine with jazz infused percussion, chiming bells, field recordings and samples of echoing hammered dulcimer and gentle violins, played by Joel Hanson and Sarah Kemp (Lanterns Of The Lake, Last Harbour) respectively, both Richard’s bandmates in Memory Drawings, to form a quietly impressive album, full of muffled melodies, great warmth, wistful melancholy and pastoral organic feel. The beautiful atmosphere of Endless Scenery will instantly sound familiar and comforting to all fans of Talk Talk, Bark Psychosis, Disco Inferno, Labradford, Low and of course Hood.
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    Daniel Mackenzie – Glass Permanent

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    Limited edition of 200 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm brown cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 190 gsm beige cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... Glass Permanent, his third full-length album under his real name, consists of six compositions of melancholic and cinematic soundscapes with a total duration of 40 minutes. This is a deeply personal and emotionally restful album with a taste of homemade experimentation, which focuses on the physical and technological manipulation of acoustic instruments such as piano, zither and glockenspiel and sound sources like voice and field recordings. Beautifully arranged, these minimalist compositions easily slip between modern classical and ambient drone, being probably Daniel’s finest work so far. The mastering of Glass Permanent has been done by George Mastrokostas (aka Absent Without Leave), giving a great depth and warm feel to its sounds.
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