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    Matt Rösner – Repeat (Deluxe White Vinyl)

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    Special limited edition white vinyl copies with individually numbered sleeves that include bespoke golden embossed inserts… Repeat offers 6 new works by Rösner that demonstrate the composer’s musical maturing since his debut release on 12×50 and a couple of releases of environmental and electronic sound in Australia and the US. He engages on Repeat with the sound of voice, recorded instruments and performers. Reminiscent of Morton Feldman, these works unfold their beauty over time. With additional material by Adam Trainer, Greg Taw and Alexander Wendt, this vinyl release explores patterns and structures – observations of Rösner’s environment at the oceanic West coast of Australia. Calculations based on the Fibonacci series laid out timing and structure of Lattices, the track that spans over the entire B-Side. It explores tones and frequencies over 20 minutes.
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    Matt Rösner – Repeat

    ,
    Repeat offers 6 new works by Rösner that demonstrate the composer’s musical maturing since his debut release on 12×50 and a couple of releases of environmental and electronic sound in Australia and the US. He engages on Repeat with the sound of voice, recorded instruments and performers. Reminiscent of Morton Feldman, these works unfold their beauty over time. With additional material by Adam Trainer, Greg Taw and Alexander Wendt, this vinyl release explores patterns and structures – observations of Rösner’s environment at the oceanic West coast of Australia. Calculations based on the Fibonacci series laid out timing and structure of Lattices, the track that spans over the entire B-Side. It explores tones and frequencies over 20 minutes. Limited edition of 500
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    Alexander Wendt – Unreleased Music For Visualizers

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    Alexander Wendt’s compositions have been described as “glacial electronic music” and environmental electronic sound, but strictly speaking this albums is not conceived from field recordings. Unreleased: Music For Visualizers assembles 13 silicone based tracks that were composed over a period of several years, and yet the album’s sound is cohesive and organic. The compositions are presented here as a triptych, exploring expansive terrain with Confluence Of Two Rivers, microscopic structures and sound sketches with Trio-Log (based on a collection of 3-letter words) and in form of a live set of about 20 minutes (. : .: ::).
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