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    omrr – Devils for my Darling

    4-panel digipack, gloss finish... Omrr is the stage name of Omar El Abd (born 22 September 1983), a self-taught musician, guitarist and sound artist based in Cairo, Egypt. omrr’s sound is based on glitch, noise, micro-sounds, sampling and field recording. He uses a variety of instruments and software to create free form, dynamic and dense sonic landscapes.
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    Pleq – Re​:​composition

    "The conception of 'Re:composition' as an album was easy. It consists of 11 remixes of my music which had been previously released on various labels including mAtter, Basses Frequences and Infraction Records between 2010-2016. All the artists who provided a remix for 'Re:composition' had previously released music on the label Dronarivm. By bringing together a creative group aligned to Dronarivm it is my hope that the record will fulfil the expectations of music lovers of ambient and drone". - Bartosz Dziadosz (Pleq)
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    Pausal – Avifaunal

    Taken as a whole, the resulting album is a diverse affair but could be said to have more in common with their heavier work to date (such as "Forms", 2012) combined with an appreciation of texture (previously evident on "Sky Margin", 2013) than the ambient material they are perhaps better known for ("Lapses", 2010 and "Along The Mantic Spring", 2014). From the crackling drone fog of "Murmuration I" and darkly psychedelic "Murmuration II" - through to the urgent percussive metallics on "Scatter" and serene synth-scapes of "Soar"; there is a wide ranging sound world here for the listener to experience and just as the title of the record suggests, they are encouraged to allow mind to take flight...
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    Olan Mill – Cavade Morlem

    “Writing and recording ‘Cavade Morlem’ was one of the smoothest experiences I’ve had producing an album. The tracks were originally created to be played at a handful of concerts throughout the end of last year. The shows were performed using processed guitar, violin and some pre-recorded samples of voice and organ. I was joined by Mike Jessop on violin for many of the songs and his contributions are sampled at various points on the record. I spent the beginning of the year reworking recordings from the live sets and trying to piece together something coherent. The resulting album is a far calmer experience than the original performances and I hope listeners find a state of mindfulness while experiencing the work”. - Alex Smalley
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    Legiac – The Voynich Manuscript

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    4 panel matte finished digipack... After last year’s sophomore release, The Faex Has Decimated, on Tympanik Audio, the Legiac project is back, but this time on the Russian based Dronarivm label, where the new album feels more at home. This time, the electronic duo of Roel Funcken and Cor Bolten take on a more meditative approach to their mildly glitch-infused, modular explored sounds, weaving in ambient textures, field recordings, and vast soundscapes. Titled after an early 15th century hand-written and illustrated codex, named after Wilfrid Voynich, the mysteries within this cryptic album can only be unlocked upon subsequent rotations, offering it up as a soundtrack to an enigmatic place, existing somewhere within imagination of these two prolific artists. The Voynich Manuscript slowly transforms its listener from a seemingly ordinary habitat, to a day-dream haze, to kaleidoscopic illusion – a sonic environment you thirst to visit once again.
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    Giannico / Aldinucci – Agoraphonia

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    A town square is an open public space commonly found in the heart of a traditional town and used for community gatherings. Based on this basic perspective, it is easy to notice how the soundscape of this living center could represent not only sonically, but also from a cultural point of view, a priceless document. After an open call lasted 6 months to send most interesting audio material concerning the theme of the “square” the samples have been selected and reworked in order to create an ideal symphony of all living squares all over the world. After some months a minor open call was done also to obtain photos about the same theme in order to realize a coherent packaging.
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    Dag Rosenqvist – Elephant

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    6 panel digisleeve placed into cardboard slipcase embossed with a transparent foil... Extremely quiet and violently loud, slowly rising only to moments later bear down on the listener with a wall of distorted sounds. This is the essence of ‘elephant’, the new album by Swedish composer and musician Dag Rosenqvist. ‘elephant’ consists of six tracks, all connected to each other in one way or another. Shards of tracks re-appear in other tracks. Structures, sounds, chord progressions and melodies are revisited and rearranged. Repetition as a means of holding on to something that is already lost. ‘elephant’ is an album built on contrasts. It is an album filled with noise and fury, with distant echoes and subtle vibrations. It is a blind force that can both crush you and embrace you with its fragility.
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    Cyril Secq / Orla Wren – Branches

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    Limited edition of 200 in matte finished 6-panel digisleeve... Branches came into being during a long time planned project between Tui (Orla Wren) and Cyril Secq (member of the band Astrïd). Having worked together when Cyril contributed guitar to the Orla Wren’s previous albums the idea then formed to do something further and even more collaborative. At the same time, Cyril had recorded many guitar parts, as a ‘solo’ project, that had never been released. And they were the basis, the bones for Orla to work, completely free. It’s a duet between acoustic strings and processing, field recordings, edits and organic arrangements. This music is steadily ramifies, growing out of itself like a wild tree. The tunes woven together and untwine again as a branches shaken by the wind. It sounds focused, calm and distinct. Although everything has been done in distant places (France and Scotland) the result sounds like two musicians experimenting in the same room, sharing their background and culture.  
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    Martin / Berg – Day Has Ended

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    Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls. The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part – Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man. Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night. It’s a perfect and severely sincere work, slightly bittered with melancholy. Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations. Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.
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    £6.00 Quickview

    Philippe Lamy – Slowfast

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    Limited edition run that includes 3 inserts with fragments of Philippe’s paintings… A man is walking across the desert with memories of the sounds where he has come from, of what he has left behind. Crossing the arid landscape, he listens to those sound images, he is haunted by them, he superimposes them on the present and brings them with him toward the future he is making for. Step by step, he uses this confrontation to reinterpret his memories and to finally attempt to grasp the music of the desert. Debut CD by Philippe Lamy (Nowaki, Audio Gourmet etc), painter and plastics technician, teaches the plastic arts to the school of architecture of Toulouse (France). He has exhibited his artwork across Europe. He began to work with sound too around ten years ago, feeling that his paintings and music resonate together. His careful attention to texture and detail is something he has carried over from his experience as a painter and has transferred into his work with sound.
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    Listening Mirror – On The Passing of Chavela

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    Very nice limited edition CD that come in a fold out panel… ‘On The Passing of Chavela’ is a meditation on loss. The atmosphere continues to push and pull against itself as the music progresses. It’s very much in the spirit of South American ambient. It also feels feminine, sultry and as red-hot as her fiery spirit and red poncho she so famously adorned. The music is her love of tequila, and the trickling splash as it hit the bottom of the glass. The bottle tinkles against the glass in a melodic pool of liquor. Full of sensuality, and possibly a hint of lust, the Spanish guitar played soulfully on, accompanying her song. An absence of singing – via the voice – does not mean there is an absence of vocalisation. The dusty drone herself sings with a concealed spice that is only just vaguely scented on the Mexican streets, rising from the swirling clouds of drone. – Fluid Radio
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    Celer – Rags of Contentment

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    Available for the first time on CD as a limited edition run of 222 copies: Includes photography by Danielle Baquet-Long, and design by Rutger Zuydervelt (Machinefabriek)… “I remember photos and negatives of sun-scorched Nepal scattered around the floor, notebooks written in randomly and seeming empty, and the evening lights of the outside night that seemed like they wouldn’t ever darken. We drove to Santa Ana over the 405 freeway to record the cars going by, but ended up watching the lights, buying whisky, and sitting the car listening to scratched Joanna Newsom CDRs and Eno’s Discreet Music. When the night was finally asleep and quiet, everything seemed still and the streets seemed dead, except for the swaying palm trees, and the glow from the kitchen light that was never turned off. Even the things that don’t exist anymore are still there, even if they aren’t apparent and obvious as much as they once were”.
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