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    Mess_Montage – The Death of Optimus Prime

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different covers available: White, silver/grey, dark silver/grey wallets with envelopes in a transparent bag...
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    DR – Hovering

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different covers available: Brown kraft wallets with envelopes & Off white wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag.
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    Jurko Haltuu – And In My Tears…

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different covers available: Brown kraft wallets with envelopes & Off white wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag...
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    Bionulor – Furniture Music

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different metallic wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag...
    “Furniture Music” is – after “Erik” (2012) and “Vexations” EP. (2014) – the third one from the series of Bionulor’s records dedicated to the person and work of Erik Satie.  This particular one is inspired by Satie’s idea of „musique d'ameublement” , but also – to some extent – by the way John Cage had interpreted the piece “Vexations” during the first public performance. Bionulor, as always, invites you to deeply immerse yourself in sound... but this time also to use “Furniture Music” while cleaning, washing up, reading, taking a nap or even sunbathing...
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    James Osland – Departures (CD)

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Brown kraft wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag... Departures was recorded in areas of Europe, South-East Asia and Australasia over a period of two years. The album seeks to explore our relationship with sound, memory and place. Thank you to everyone that helped make this album possible. All tracks composed and mixed by James Osland.
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    Post Global Trio – Minus Seven (CD)

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Brown kraft wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag...
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    James Murray – Heavenly Waters

    Each cover of the Printed Edition has been professionally printed with artwork derived from a vintage star map of the constellation Eridanus. Constructed around the same hand-inked custom double sleeve design as the Stamped Edition, this is a heavyweight package containing glass-mastered CD and a professionally printed insert. James Murray's tenth solo album carefully charts all nine Heavenly Waters constellations. This delicately nuanced celestial meditation is many years in the making and confirms Murray’s unwavering commitment to original, emotionally weighted, concept rich music of equal parts subtle melody and inventive, meticulous sound design.
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    Five Layers

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    Ogawa / Shepherds of Cats / Pietrushka

    Recorded during the improvised session that took place in May 2016 at OPT www.opt-art.net Wroclaw, Poland...
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    omrr – Devils for my Darling

    4-panel digipack, gloss finish... Omrr is the stage name of Omar El Abd (born 22 September 1983), a self-taught musician, guitarist and sound artist based in Cairo, Egypt. omrr’s sound is based on glitch, noise, micro-sounds, sampling and field recording. He uses a variety of instruments and software to create free form, dynamic and dense sonic landscapes.
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    Cicely Irvine – Excavation

    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered... Cicely Irvine (b. 1990) is a musician and sound artist based in Stockholm, Sweden. She is making music and sound design for film, radio and performance art. The release on Eilean rec is her very first and a collection of music made between 2007 and 2017.
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    Norihito Suda – Light Snowfall (2 x CD)

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    Two tone / 4 panel hand made letter-pressed Somerset cotton covers, 2 x glass mastered CDs, 32 page deluxe perfect bound photographic book printed on luxury uncoated paper, white sage scent. All of the above rests inside individually hand numbered / hand-made Japanese soft letter-pressed envelopes made from 100% recycled cotton. Understated beauty... The album leaves a lingering kiss of compassion on the lips in what is a hopeful and open sound. Norihito Suda has ushered out a beautiful ambient work which is all the more stunning for its quiet composure and calm. - James Catchpole (Fluid Radio)
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    Galatimosconi – Penombra

    Limited Edition handmade sleeve with cover album in polaroid format inside eco packaging... When the environment becomes hostile, men must struggle with nature for their survival; but, in the dim light, sheltered from everything, always watching with deference and wonder.
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    Jason van Wyk – Opacity

    Presented in our locally produced 4 panel recycled card package in an edition of 500. Alongside the alluring dusty-starred photography of Gregory Euclide, in 'Opacity' Jason has created an album that is timeless and bold; a freeing work of piano-focused tenderness, and huge luminous pads. We can’t wait to share this with you. - Ian Hawgood
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    Memory Drawings – The Nearest Exit (2 x CD)

    Limited edition 2 x CD edition with bonus 10 track remix album... The Nearest Exit is the third album from Anglo/American collective Memory Drawings. Led by the hammered dulcimer of Minneapolis-based Joel Hanson, the band also features Richard Adams (Hood / The Declining Winter), Sarah Kemp (Brave Timbers), Chris Cole (Movietone / Manyfingers) and Gareth S Brown (Hood). Accompanying The Nearest Exit is a 10-track remix album which functions as a companion piece to the original instrumentals. The band looked far and wide for collaborators and have had their work interpreted by the likes of former The Boats duo The Humblebee, Tape Loop Orchestra, Edward Ka-Spel of The Legendary Pink Dots, Bristol’s Manyfingers, ambient-music pioneer Robert Rich, and London-based kraut-pop groups Astronauts and The Leaf Library.
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    Kryshe – March Of The Mysterious

    Four panel, gatefold CD Digipak with clear plastic tray. Printed on the reverse side of the card for that nice textured finish... March Of The Mysterious is a new album by German artist, Kryshe (Christian Grothe). The album stems from music made to accompany a showing of the 1915 silent film, Alice In Wonderland. Straddling the worlds of modern classical, avant-jazz and ambient music, multi-instrumentalist Kryshe plays piano, brass, guitar and percussion with a hefty dose of electronic processing to produce music every bit as enchanting as Lewis Carroll's tale. Live performance is an important aspect of Kryshe's music. Since his last album (Insights for Unperceived Records) followed a more traditional, studio-based approach, Christian was keen to bring some of his techniques from live performances into the studio for March Of The Mysterious. Blurring the lines between composition and improvisation, spontaneity and deliberation, the resultant music feels measured but alive.
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    Morgen Wurde – Assassinous Act

    Weather patterns around the world are shifting…and although it’s fortunately cooler than usual here in California this summer, tempers are still on the rise, tensions ride high, and criminal intent is always in the air! Our latest release reflects these sentiments…and for TRS072 we are bringing back an artist that we released last year. We are very pleased to re-welcome Morgen Wurde, aka Wolfgang Röttger, and his latest release, Assassinous Act! We had told Wolfgang earlier in the year that we would be doing a “crime release” of sorts in the near future, and he promptly and enthusiastically agreed to compose a fictitious soundtrack for us to this non existent crime that is reflected in the packaging for TRS072. He has done a fantastic job to that effect! Dark and ominous at times…mysterious and reflective at others…the thirteen tracks here take us through the conception of the crime, to the actual acting out of it and beyond, to a final redemption and reckoning of sorts. With his "accomplices", Maria Estrella Aggabao and Georges-Emmanuel Schneider, he has indeed provided us with a fitting soundscape to this release!
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    Astrïd & Rachel Grimes – Through the Sparkle

    After years of mail and email back and forth over the ocean, from Nantes to Kentucky, astrïd invited Rachel to come for a residency to make music together and play shows in France. They gathered for a few days, here and there, in 2012 and 2013 to write songs in Cyril and Vanina's home studio in the countryside. The compositions found on Through the Sparkle glow with a unique, connected energy and a pure, instinctive musical understanding. Considered contributions from all sides allow the pieces to unfurl naturally. Each note and phrase feels like it simply couldn’t be placed anywhere else in the album.
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    Ludmila – 1 Day 1 Track

    Each highly limited collectable Whitelabrecs release is built around a set format as follows: 50 x vinyl-effect CDrs with card vinyl-style sleeves, rubber stamped titling, a polaroid print of the cover artwork housed inside a plastic case to keep it looking mint. Ink, font style and sleeve colours will vary for each release, chosen by the artist. In ‘1 Day 1 Track’, Jori set about recording one track every day for a week in which he describes it as the ‘best holidays ever’. Each track on the album is a cropped section of a recording session that lasted from between 10 and 20 minutes, a process repeated each day. In one very peaceful week, Jori recalls playing free from thought, with the takes being improvised without the aid of a computer. Often when artists embark on the creative process, rules and pressure are applied and a lack of quality time devoted to one’s craft can breed frustration. By taking time out during his holidays for just a short period each day, the music flowed and a beautifully cohesive album was born.
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    Steve Pacheco – The 4th

    Each highly limited collectable Whitelabrecs release is built around a set format as follows: 50 x vinyl-effect CDrs with card vinyl-style sleeves, rubber stamped titling, a polaroid print of the cover artwork housed inside a plastic case to keep it looking mint. Ink, font style and sleeve colours will vary for each release, chosen by the artist. The 4th is an album themed around cherished memories, loss and letting go as each track is deeply connected to memories he experienced during his time in Sante Fe. The first three tracks are set in Santa Fe whereas the final piece ‘Completion’ is a reference to Steve’s return to Los Angeles for a new job opportunity. The title of the album is a reference to the Chakra system, with the fourth of these being the heart. Whilst the deeply personal events and circumstances that inspired the work within this album may not translate to you the listener, it is intended that the material will inspire memories and feelings dear to you as the warm textures will envelope you.
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    Sea Trials – ST

    Each highly limited collectable Whitelabrecs release is built around a set format as follows: 50 x vinyl-effect CDrs with card vinyl-style sleeves, rubber stamped titling, a polaroid print of the cover artwork housed inside a plastic case to keep it looking mint. Ink, font style and sleeve colours will vary for each release, chosen by the artist. The self-titled Sea Trials album is the debut from Irish born, Hungary based artist Ian McCarthy who has previously released in the Techno field under monikers Romart and Wilhelm on labels such as Flux Recordings, Nice Try Records and I Had An Accident Records. Sea Trials was spawned in 2015 as the foundations for Ian’s idea began with him creating a pool of material to draw from as he planned a number of recordings and we’re pleased to present his eponymous debut album to serve as the perfect introduction to this sound. The 9 tracks were created from source material recorded to old or damaged cassette tapes which were treated by either being left outside exposed to the elements, by being burnt or submerged in salt-water for long periods. Inevitably, the deterioration of sound and medium became a crucial part of the process and became the concept: decay and rebirth.
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    Guenter Schlienz – Peace

    Over several years, Guenter Schlienz has graced labels such as Constellation Tatsu, Sacred Phrases, S.I.N.K. CDs, SicSic, Preservation so we are very excited here at Rural Colours to be added to that list with his latest work Peace. After noticing that several friends had begun to end emails marked 'Peace', Guenter Schlienz, ever full of questions, started to ponder on the meaning of the word in this context. Around the same time he started to read Henry Miller's book 'The Collossus of Maroussi' and was intrigued by a couple of paragraphs devoted to exactly this question: what is "the meaning of peace". He came to the conclusion that there is much more to "peace" than just the absence of war. The albums track titles are words by Henry Miller, and the work is Guenter's humble attempt to gather sounds and atmospheres around those lines. Using modular synths combined with tape loops, analog and digital delays, vintage electronic organ and guitar, Schlienz works within a romantically inward looking framework, creating music that comes from deep within. His compositions reflect themes of tenderness, alienation and homecoming and feature a range of guest musicians including Masako Kamikawa (piano on 'Reverberation of the Pandemonium') and Niko Lazarakopoulos (guitar on 'Faint Whispers') and even an anonymous busker from the streets of Stuttgart on 'Who Put the Demons There?'
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    Monty Adkins – A Year at Usher’s Hill

    Monty Adkins is experimental sound artist based in remote countryside of the north of England. His work is deeply influenced by the visual arts and psychogeography resulting in collaborations with a number of painters and digital artists. Inhabiting a post-acousmatic sensibility, Monty’s work draws together elements from ambient, acousmatic and microsound music producing a soundworld characterised by slow shifting organic textures derived from processed instrumental sounds. His work can be found on various labels including Audiobulb, Cronica, Signature, and empreintes DIGITALes.
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    Giannico / Aldinucci – Reframing

    Electroacoustic musician, videoartist and web designer, Francesco Giannico founded in 2010 AIPS and in 2013 Oak edition with Alessio Ballerini. His musical approach is better described as a cinematic journey which pushes the boundaries of digital media. He collaborated with many artists like: Kim Cascone, Ben Chatwin, Fabio Orsi, Alessio Ballerini. Giulio Aldinucci has been active for years as a composer in the field of experimental electroacoustic music and in the research on soundscape. He wrote music for theatre, video art, documentaries and short movies. With Attilio Novellino he launched the project Postcards from Italy. Giannico & Aldinucci’s works have been released on some labels such as Time Released Sound, Unknown Tone Records, Dronarivm and Home Normal. After their first release on Dronarivm in July 2016, they present their second album together.
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    Josco & Spheruleus – Folded Distance

    "Folded Distance is a record about travel, but it is also about staying where you are and staying where you feel you belong. One of us moved around a lot and the other stayed relatively still; although we were geographically separated, we could communicate instantly across the incredible land mass between us - the more we set about weaving Josco's drones and the exotic sounds of Asia with the sleepy rustic fields of Lincolnshire and Spheruleus' instruments, the more the concept of 'folding distance' became apparent to us, and the more it became realised by us. We settled on a mutual appreciation of maps and had the idea that folding the pages of a map or atlas would bring the two points of the two locations closer. We were dealing with enormous distances, that 200 years ago would have felt impenetrably foreign and unreachable. Through technology and discussion, we were able to bring the sounds and the atmospheres of these two places and our own roles within these places together. Field recordings and track titles are taken from Thailand, Turkey, Austria, UK, Ireland and Morocco. Over the five year recording period, both of us grew and changed. The record is about that five year period, ourselves, the changes we went through, the places we were and how they were at that time and our communication and vision for the album during this time." - Josco & Spheruleus - May, 2017
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    Toàn – Histós Lusis

    Toàn is a French electronic musician based in Britain. As a beatmaker, he has produced several albums mixing jazz and hip hop influences under the pseudonym of Qiwu Selftet. Toàn is now focuses on freer musical forms, close to ambient and modern classical. Without using any synths, Histós Lusis is entirely composed by samples found on old records, live instruments and field recordings.
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    Taylor Deupree – Somi

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    The release comes packaged as a deluxe CD inside a 20-page hardbound book of Deupree’s photographs that inspired the creation of the music... For the music, made with a small number of instruments (electric piano, glockenspiel, DX7, handheld cassette recorder) Deupree originally set out to create a follow-up to his classic album Stil.. Steeped in subtle repetition and soft electronic sound, Stil. explored themes of time and change. However, Stil. was created with purely electronic means - software synthesizers and looping algorithms which explored the then-novel frontier of DSP based “microsound.” With a strong desire to bring the aesthetics of Stil. to his current way of working Deupree used no software or automatic looping, instead opting for the imperfections of creating “loops” by hand. The result is warm and quietly decayed work of spare, discreet tones and dozens of interwoven slow polyrhythms that create repetitions that constantly fall apart and shuffle themselves back together. While these ideas of phase relationships are not new in music, nor to Deupree’s catalogue of work, it was the way he approached the composing that was different, and more challenging, than his work in the past. Wrapped up warmly in the sonics of cassette players and cheap built-in speakers, Somi’s dusty melodies sit quietly, but uneasily, and question the passing of time and present one of Deupree’s most alluring albums to date.
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    Gareth Dickson – Orwell Court

    Gareth Dickson is ghostlike. From the dark outskirts of Glasgow he has sent three studio studio albums in to the world - Collected Recordings (2009), The Dance (2010) and Quite A Way Away (2012). These albums have bewitched a growing inner circle, including some of the most innovative musicians around today - Juana Molina and Vashti Bunyan to name just two. Gareth has been the only constant member of Vashti’s touring outfit over the past ten years and latterly they have stripped down to a duet on their worldwide travels. Vashti indeed makes a spectral apparition on the first track of Gareth’s new album Orwell Court. Gareth Dickson’s music is both beautiful and dark. A quiet Scottish melancholy underpinned by a grace and ethereal purity paired with a unique impression where the delicacy of Nick Drake mixes with the openness and space Brian Eno. Gareth’s music is often stripped down to the spare elements of voice and acoustic guitar, but a complex and mysterious music hides beneath the surface, demanding but generous and surprising. Clearly picking up where his previous albums left off, Gareth throws in a few surprises. Gleaned from his time spent touring and experimenting between albums the addition of a drum kit, some keyboards and guest vocalists enrich the palette. But fear not, these elements, while previously unheard of in his music, are approached with the subtlety that his listeners expect. They are a texture that adds dimension throughout the album. The hush is still there in its most genuine form.
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    Vitiello / Berg – Between You And The Shapes You Take

    Between You And The Shapes You Take is the second collaborative album by Richmond based musician/sound artists Stephen Vitiello and Molly Berg. As with the duo’s previous release, The Gorilla Variations (12k2013, 2009), tracks are created out of improvisations and sculpted through editing. Molly Berg’s clarinet and vocalizations tend to cover the CD’s lyrical content while Vitiello’s guitar and processing covers a good deal of the textures. Two of the tracks on the CD feature violin by the multi-talented Hahn Rowe, once a member of the group Hugo Largo. There’s an immediate air of melancholy and longing to a number of the tracks. An initial demo recording for the album was remarked on by a listener who said “I’ve fallen face first into a machine that erases the memories of an ended relationship as if it were a sound instead of a real life that fell in love with the girl again in the end.” A strange amount of truth exists in that statement and the entirety of it was momentarily considered as the album title. Instead, Between You And The Shapes You Take is a borrowed quote from Wallace Stevens’ poem The Blue Guitar.
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    Illuha – Interstices

    Start with a room, a cleanish one, not too rustic, not too slick, and then fill it with tools, fill it with anything that can be used to make other things. Put the room in the forest, but not too deeply in, let’s have the city on the distant horizon. Then, let’s have two craftsman, artists, explorers. Tell them a bit about where the room is, but not exactly. Make them find it, together. When they finally do they will embark on their creations, but it won’t be the immerse-and-shut-yourself-off-from-the-world type of creation. To them, creation involves talking, travelling, experiencing, not just working. They are Illuha and this hints at how they operate. They are true musicians and artisans with a slew of talents that become all twisted and morphed when combined. On their 2011 debut, Shizuku, their room was a century-old church in Washington state and their tools; whatever instruments they could haul over from Japan and the pianos they were lucky enough to find inside. As creators they have an obsessive attention to detail but also know that the strength of creation doesn’t always lie merely in the act itself. Illuha knows the power of communication.
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    Illuha – Akari

    Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.
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    Solo Andata – In The Lens

    In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze. Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.
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    Federico Durand – A Través Del Espejo

    It’s no accident that Federico’s music has a dusty air of nostalgia surrounding it. It has always been a very personal affair. Songs inspired family, local life and the world around him are woven by hand with a selection of very physical instruments. He works like a craftsman, piecing together fragments of sound from cassette recorders, small instruments and loopers and creates music that’s as softspoken as he is. No pretenses, no disguises, just the most honest and down-to-earth music that can be made. Broken melodies spinning from tape reels, the sounds of bells and small found objects being played with care... The music is as beautiful as it is introspective, like a small window of antique glass looking right into Federico’s soul.
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    Taylor Deupree & Marcus Fischer Twine

    The instrumentation on Twine is simple - electric piano, bells, stringed instruments... With careful and deliberate physical manipulations the sounds is subtlely abstracted, as can be heard on “Buoy,” where the tape machine mechanics themselves join in the recording to create a piece suggestive of the abandoned dock the two photographed in Iceland a couple of years earlier as it quietly knocked against the cold winter shore. Imagery like this abounds through the tracks. Slow, haunting melodies under a layer of warm tape hiss and accidental physical sounds give the listener plenty of room for imagination, reflection and the stirring up of lost memories. The intimacy of the tape loops combined with the lonliness of the sounds gives Twine a complexity beyond its simple form. Deupree and Fischer have created a intensely focused new work that draws upon all of their creative interactions since their 2010 debut.
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    Odd Nosdam – LIF

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 300 gsm white recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 160 gsm dusty purple cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. Confusion. Longing. Confidence. Loneliness. Fear. Love. These are but a few of the emotional states absorbed when encountering LIF, the new ambient and minimal album from the Bay Area's Odd Nosdam. As an artist that's presented sonic portraits coalesced in the legacy he's carried with the co-founding of Anticon, LIF finds connectivity to new roads and ethos within the body of electronic. A bridge to universal emotions and boldness, displayed in a state of duality with the tenderness and delicacy of a dandelion and the power and magnetism of solar winds.
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    Crisopa – Transhumante

    This is a limited edition of 150 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 360 gsm olive cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 190 gsm saffron yellow cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. Crisopa is the solo electronic project of Santiago Lizón, based in Madrid, Spain. Since 2005 and bringing together influences as diverse as idm, shoegaze, post-rock and classical, he has released three albums and three EPs on labels such as n5MD, Plataforma-LTW, Persona-Isla, Add-Sensor and Escala.
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    Liam J Hennessy – Held

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 300 gsm white recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 160 gsm light blue cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. Liam J Hennessy is a composer, based in London, UK, crafting his own brand of wonderfully intricate, melodic songs using a unique blend of natural and electronic sounds. From 2010 until 2014 he recorded under the alias of Drops, having released a 7” vinyl and an EP on Heat Death Records and a self-released split EP together with Umber. Since 2014 he has focused on writing music for film and television shows and throughout 2016 he worked on a new project, based on the idea of writing and recording one song every month.
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    Moshimoss & Stabilo – FIIElI

    Moshimoss is the solo project of Kosuke Anamizu, based in Yamanashi, Japan. Focused on delicate ambient soundscapes, he has released two critically acclaimed albums on Dynamophone Records and Nothings66. Apart from Moshimoss, he has also released music under his real name and the aliases of Preghost and Shewasasea on many other labels such as n5MD, Mule Electronic and Traum Schallplatten. Stabilo is the solo project of Yasutica Horibe, based in Hiroshima, Japan. He is also member of the post-rock/shoegaze band Speaker Gain Teardrop with whom he has released seven albums so far. Stabilo was born in 2002 when he started making music using mainly a laptop that was difficult to be expressed by his band. To date he has released his music on labels such as U-Cover, Novel Sounds, Mimi Records and others and has many self-produced releases either solo or collaborating with other artists, including FJORDNE, Gallery Six, Kazuya Matsumoto, Moskitoo, FourColor and many more.
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    Anthéne – Orchid

    This is a limited edition of 150 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 360 gsm dark green cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 190 gsm olive cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. Anthéne is the solo project of multi-instrumentalist Brad Deschamps, based in Toronto, Canada. To date he has released three albums, two EPs and one split release with M. Mucci, on labels such as Cathedral Transmissions, Assembly Field and his own Polar Seas Recordings. Apart from Anthéne, Deschamps is also known as one half of the ambient/post-rock duo North Atlantic Drift with whom he has also released five albums and three EPs.
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