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    Ilm – Gaya

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    Made by hand, Letter-pressed 4-panel oversized covers,Printed on GF Smith 540gsm embossed buckram card, Glass mastered CD, 20 x A6 microscopic prints by Ernst Haeckel (Tintoretto Gesso card), 1 x antique (circa - 1910) microscopic (handwritten) glass slide, 3 x page inserts from antique zoology books: Samuel Maunder - Treasury of Natural History Dictionary Zoology (1862), H. A. Nicholson - An Introductory Text-Book Of Zoology (1887), Parker & Haswell - Textbook of Zoology (1946), Housed in see-through anti-static bags (Sealed / stitched), Scent, Hand numbered, Download code Made with love...
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    Ian Hawgood – Impermanence

    Each heavyweight custom double sleeve is individually rubber-stamped and numbered by hand in a limited first edition of one hundred and fifty copies for the world. Every package includes a concealed handwritten download code, glass-mastered CD and insert with original artwork by Stijn Hüwels and an individually numbered, handwritten dedication from the artist himself. ... Impermanence is a love letter to transience, fragility and the analogue machines Ian Hawgood persuades to articulate the poignantly brittle beauty of decay. After many years of in-demand mastering, label curation and collaborative focus Hawgood now offers us a definitive portrait of the technical expertise and personal integrity demanded by exemplary modern tape-based practice.
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    Richard Luke – Glass Island

    Glasgow-based composer and producer Richard Luke’s LP Glass Island explores the tensions of living on an island in the wake of referendums on leaving the EU and Scottish independence. The songs, explains Luke, have “confidence and strength, but also a fragility and drama that makes them almost wistful and nostalgic.”
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    øjeRum – Nattesne

    øjeRum is Copenhagen based musician and collage artist Paw Grabowski. Since 2014 he has put out releases on various labels such as A Giant Fern, Cabin Floor Esoterica, Eilean Rec., Phinery, Scissor Tail Editions and Vaald. øjeRum is all about the attempt to capture and convey emotions, moods and memories. two years and a half after his first release on eilean rec. we’re glad to host øjeRum for a second time on the map with the wonderful work: Nattesne
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    Aries Mond – Cut Off (CD)

    Glass Mastered CD / hand numbered Mastered by Taylor Deupree Selective UV varnish outer sleeve After his first works based on field recording, Aries Mond has started to work with music instruments in 2012, mainly focused on piano. His first album has been released on eilean rec. in 2018 and Cut Off is his second album. Aries Mond also composes music for contemporary theatre. He lives in southern of France, in the Pyrénées.
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    Fallen – When The Light Went Out

    Limited edition CD / Digipak 4 panel / Hand-numbered / Edition of 50 Lorenzo Bracaloni records ambient music under the name Fallen and folk and psychedelia as The Child of A Creek. He was born in the Italian province of Livorno in Italy’s famed Tuscany Region. It is a part of the world with centuries of history, and not surprisingly, its share of ghost stories.
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    Bill Seaman – The Topologies of Blue

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    Made by hand... Letter-pressed covers Printed on GF Smith 540gsm embossed buckram card Glass mastered CD 20 x photos printed on Fujicolor crystal archive paper, 6 x double sided A7 vintage prints that include track title / poetry 1 x page insert from antique psychology books Housed in glassine bags (Sealed / stitched) Scent Hand numbered Download code Mastering by James Plotkin Made with love...
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    Ian Nyquist – Cuan

    an Nyquist is a composer from Dublin, Ireland. With a background of field recording and sound art, his music is informed by artefacts of created and collected sound. Ian's album for Eilean Rec.,"Cuan", his first physical release, pays an intimate homage to places and people of familiarity. Each track for him has a specific place within the Dublin Bay area where he lives. "Cuan" is the Irish word for Bay or Harbour. Artwork by Tekla McInerney Mastered by Mathias Van Eecloo Inside Photography by Mathias Van Eecloo Design by Rémi Verdier
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    Kenji Kihara – Dawn

    Kenji Kihara is a musician based in Hayama, in Japan, a place surrounded by nature near to the sea and mountains.  His electronic and ambient works are truly inspired by the sound of nature. All sounds by Kenji Kihara, mixed and recorded between 2016 and 2017 at Hayama in Japan. Artwork by Matthias Heiderich Mastered by Mathias Van Eecloo Inside Photography by Mathias Van Eecloo Design by Rémi Verdier
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    Adrian Lane – I Have Promises to Keep

    All tracks composed by Adrian Lane... Adrian Lane – upright piano, prepared piano, piano samples Bryan Styles – piano percussion on tracks 1, 3, 5, 9, 13
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    Cédric D. Lavoie – 88

    "88 was composed on the piano with bowed and plucked upright basses, some discrete percussion and sound effects," says Lavoie. “​I also thought about hiring string players to play on some of the tracks, but eventually decided to take on the challenge of playing everything on the upright bass, to achieve a darker and perhaps more unusual string section.” “Everything started on the piano. I also explored recording techniques emphasising the sound resulting from the mechanics of the piano and my fingers on the keyboard. These sounds are rarely acoustically audible, but add an intimate and intriguing aspect to the recording.”
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    Covarino / Incorvaia – Chiodi

    Building on the concept of their first two albums – Perugia (Preserved Sound, 2016) and Granada (Whitelabrecs, 2017) – to play live without overdubs or editing, Covarino/Incorvaia’s new album Chiodi features a minimal set up, occasional noises and silence.
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    Richard Youngs – Arrow

    Arrow is a piano album – the sound of Hebden Bridge on a Saturday afternoon, embellished with wisps of Glasgow. Recorded especially for Preserved Sound in Hebden Bridge, "Arrow" is sound of Richard Youngs alone at the piano, embellished with light drums and an old organ. This collection of solo improvisations is all about capturing the moment – that piano and that afternoon in Hebden Bridge. ​“I sat down at the piano and just played,” says Richard. “No preconceptions, nothing worked out. I wasn't trying to achieve anything other than to enjoy playing the piano.There was also an organ in the room, so there are touches of that. I then took these back to Glasgow and knocked it into shape – a few overdubs, nothing drastic.”
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    Federico Durand – Pequeñas Melodías

    Pequeñas Melodias is the result of a dialog between the artists Albarrán Cabrera and Federico Durand initiated by IIKKI, between December 2017 and August 2018.
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    Gri + Mosconi – Between Ocean and Sky

    Each heavyweight custom double sleeve is individually rubber-stamped and numbered by hand in a limited first edition of one hundred and fifty copies for the world. Every package includes a concealed handwritten download code, glass-mastered CD and insert with original artwork by Roberto Galati and an individually numbered, handwritten dedication from the artists themselves.
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    Neotropic – The Absolute Elsewhere

    Each heavyweight custom double sleeve is individually rubber-stamped and numbered by hand in a limited first edition of one hundred and fifty copies for the world. Includes a concealed handwritten download code, glass-mastered CD and insert with original artwork by Riz Maslen and an individually numbered, handwritten dedication from the artist herself.
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    Banabila & Machinefabriek – Entropia

    Michel Banabila and Rutger Zuydervelt (aka Machinefabriek) have been collaborating since 2012. Although they both reside in Rotterdam, they (besides coming together for coffee) prefer to use the old file-swap-way of working. With each album, sounds and song drafts are frantically sent back and forth, in a short but super intense timespan of a week or two. This spontaneity is clearly audible throughout their music, with each album having its own distinct character. After the tight, post fourth world of 'Macrocosms', their fifth album 'Entropia' veers into much rougher terrain, adding distorted field recordings, bursting noise, nasty jump cuts and an overal sense of chaotic abstraction to the mix. 'Entropia' is definitely one of their more challenging efforts, an adventurous yet coherent sonic journey.
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    Various Artists (Eilean 92)

    A Home For Ghosts (James Edward Armstrong + Neil Carter) Amuleto (Francesco Dillon + Riccardo Dillon Wanke) Aries Mond Benjamin Finger Ben Mc Elroy Cyril Secq + Sylvain Chauveau Dramavinile Emmanuel Witzthum Foresteppe Hannah Zhalih Mickunas Ian Hawgood Lake Mary Leigh Toro Ljerke (Kleefstra Brothers, Hilde Marie Holsen, Sytze Pruiksma, Alexander Rishaug, Michael Francis Duch) Srúti (Omrr + Pie Are Squared) The Prairie Lines Xu
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    Cyril Secq + Sylvain Chauveau – Minimal Guitar

    Cyril Secq learnt guitar lonely, attracted by the "noise/experimental" range of use, then he went to other instruments (piano, harmonium, rhodes, analog synthetiser, sound objects). He started the Astrïd band in 1997, with Yvan Ros. From the begining of the 2000’s, he started to produce and record albums and has played with different artists (Mathias Delplanque, Floating roots orchestra, Charles-Eric Charrier «oldman», That Summer, Sylvain Chauveau, Thousand and Bramier, Orla Wren). Sylvain Chauveau, member of ensemble 0 and Arca, has made solo records on labels such as FatCat, Sub Rosa, Type, Les Disques du Soleil et de l'Acier, Brocoli, Flau, Nature Bliss, Creative Sources: minimal, quiet compositions for acoustic instruments, electronics, and voice. He performs worldwide and creates sound installations for exhibitions. He also makes soundtracks for feature films and dance shows.
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    A Home For Ghosts – .​.​. Of A Star, Never Setting

    A Home For Ghosts is the collaboration between Neil Carter (Carter) and James Edward Armstrong (Slow Clinic). ‘’ The duo combine percussive and abstract textures with unconventional guitar playing techniques, prepared instrumentation and drones to achieve a vast and expansive soundscape.’’ "… Of A Star, Never Setting" is their third releases.
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    Leigh Toro – The Eternal Navigation

    Leigh Toro has been producing music for the past twenty years as both Flotel and more recently as one half of Bamboo Stilts with Orla Wren. He returns to Eilean for a second time with ’The Eternal Navigation’ an album that took shape in an attic studio looming high above the River Derwent. The initial inspiration for the album began with a series of field recordings made on trips to Lindisfarne and other sites along the Northumberland coastline during the Perseid Meteor Showers of 2016.
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    Dramavinile – Silfra

    Since 2016, dramavinile (Vincenzo Nava) attempts to match and combine lo-fi, electroacoustic, field recordings and abstract ambient. His fourth releases since 2016, "Silfra", is the name of a fissure between the North American and Eurasian tectonic plates in Thingvellir National Park. The rift was formed in 1789 by the earthquakes accompanying the divergent movement of the two tectonic plates. The water is filtered through porous underground lava for 30-100 years before reaching the spring that feeds into Silfra. The water is therefore extremely pure by the time it reaches the north end of Thingvellir lake and it allows for underwater visibility of over 100 meters in Silfra. The glacial meltwater remains very cold in Silfra, but as fresh water is constantly filling the fissure, the water never freezes and remains 2°C – 4°C year round. Silfra is said to have the clearest water in the world.
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    Bruno Sanfilippo – Pianette

    'Pianette' consists of a collection of solo piano compositions inspired by dreams and the bucolic fantasy of mechanical toys, the dolls, the essence of the circus and the puppets. "Pianette is one again a milestone in the music genre" Gezeitenstrom Musik "Bruno Sanfilippo has made my favourite work of his with ‘Pianette’. It’s unashamedly new-classical in its composition, eerie with its tense production and melodic dissonance and oh so subtle in how it uses the piano to create mechanical life. The piano is easily one of the most expressive instruments on Earth, so playing these two ideas off against each other has created an inspired album of muted greatness" by Simon Smith · Higher Plain Music
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    Enofa – Arboretum

    This is the hand made “standard” CD version of Arboretum in an edition of 50 copies. These come in hand stamped and altered black digipaks, each with a factory pressed disc. Each copy comes with a dried leaf, and is banded with a vintage arboreal obi strip. For Enofa, nature, and the inspiration derived from walking among the trees in the park and nature preserve near his home, plays a large part in the overall tone of this one long beautiful track. Like the Arboreta, which are regularly crafted to contain a range of contrasting shapes and colours, which gives them a very unique look and atmosphere, this wondrous soundscape of sorts, incorporating field recordings, moody guitars and synth, and electronic treatments perfectly reflects the calming and mysterious feel of the long and languid glorious English days of the moment. Wind chimes…the crackle of leaves underfoot….the light, swirling wind in the treetops…the sun breaking through the clouds…put this album on and you will find yourself strolling there as well!
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    Gimu – A Vida Que Deixei…

    Vinyl style CDR, information sheet and a gloss photo print, all in a fold over cardboard sleeve with artwork on the front... Gimu returns to Assembly Field with his third release for the label. Eight experimental tracks using grainy drones with splashes of melody, scratchy field recordings and manipulated vocals and beats here and there. 'A Vida Que Deixei De Ver Nos Seus Olhos' = 'The Life I Can No Longer See In Your Eyes'.
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    LTO – Déjà Rêvé

    Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with his praised debut LP "The Number From Which All Things Come" and subsequent ambient/modern classical-focussed "Storybook“ LP. With "Déjà Rêvé“, he expands on that classical sensibility, creating a highly expressive and nuanced release for Denovali Records.
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    Elektro Guzzi – Polybrass

    A trio of guitar, bass and drums, Elektro Guzzi overcome the boundary between analogue versus digital, performing techno live with the drive of a machine and the sonic detail of an instrument – without any computers or loopers.
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    Bruno Sanfilippo – Intro (Remastered & Expanded)

    Bruno Sanfilippo relaunch and revives his acclaimed album InTRO (2006) as a special remastered & expanded edition on CD and Digital. Available worldwide via ad21 as of September 20th. The album (65:28) contains its seven original soundscapes plus two unreleased; InTROpolar (7:10) and InTROsense (6:11), taken from recording sessions in May 2006. These nine records were recently analog remastered from the original master by Ian Hawgood. The cover art was redesigned using the original photography of Helyn Davenport. ‘In his nine compositions of imaginary 'InTROspective' Sanfilippo explores the interest in the unfettered possibilities of dreams. Its impact is strongly imaginative and cinematic, featuring deep piano interludes, great synthesizer pads, field recordings, soft soaring sound textures and transparent soundscapes’
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    Various Artists – Dialog Tapes II

    "3 years after the first Dialog Tapes project, in which artists from both labels were linked to each other in order to make a collaborative track, Eilean Rec. & Dauw label come back with the second volume. In its essence, Dialog Tapes is an ambitious attempt to connect a musical field through its own creative forces. Its about connectivity and making new unexpected musical ties between individual actors." The final result is presented as ‘Dialog Tapes II’ and offers 2 exciting albums including the following artists: Autistici, Benoît Pioulard, Dudal, Emmanuel Witzthum, Humble Bee, Josh Mason, Machinefabriek, Monolyth & Cobalt, Offthesky, Ojerum, Olan Mill, Omar El Abd (Omrr), R Bennny, Steve Pacheco, Stijn Hüwels, Toàn, Yadayn .
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    Ouvala – Multiperspectivity

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    Pre-order: Ships 5th October, 2018... Inside the handmade gatefold CD booklet you will find hand-stamped inserts, printed on recycled paper stock sitting inside a wavy insert pocket, two hand-stamped mini CD-R's, all wrapped-up in a hand-numbered obi strip and packed inside cellophane bags for total freshness. ... Ouvala are Ian Hawgood and Tim Diagram, their first album "Psychology Of Colour" was released on Fluid Audio in 2016. Ouvala "Multiperspectivity" is the most-recent handiwork and features nine collaborative pieces, thrown back and forth several times. It is a characteristic of sound, short stories and mystical adventures where both musical perspectives are projected to the listener.
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    Aaron Martin – Touch Dissolves

    • Glass Mastered CD • Handcrafted, hand numbered • Digisleeve : 400 gsm black graphic card dyed in the mass • 2 stickers Aaron Martin began his musical life at age 11, switching between guitar and drums. At the age of 17, he decided to change paths and learn how to play cello, which he went on to study in college. While earning his music degree, he began to experiment with recording. After creating several self-released collections of music, and graduating from college, he recorded Almond, which caught the attention of the Australian label Preservation, and became his debut release. He has gone on to record two more albums for Preservation, River Water and Chautauqua, as well as one album for Experimedia called Worried about the Fire and most recently Comet’s Coma for Eilean Records, and A Room Now Empty on Preserved Sound. He has also collaborated with a variety of other musicians, including Machinefabriek, Part Timer, Dawn Smithson (as Winter’s Day), Dag Rosenqvist (as From the Mouth of the Sun), and Christoph Berg with releases on Type, Dronarivm, Facture, and Under the Spire Recordings. Aaron Martin lives and records in Topeka, Kansas.
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    Zhalih – Inrushes

    Hannah Zhalih Mickunas is an artist living in Portand, Oregon USA. Inrushes is a compilation of improvisational works she recorded and produced between 2013-2017.
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    Lake Mary – Koda

    Lake Mary is Chaz Prymek, a US fingerstyle guitarist, soundscape artist and composer who dwells in the lakes and rivers of the Rocky Mountains. Drawing inspiration from the environment around him and the places in between life and death. He comes back on eilean rec. for the second time, 3 years after, at the same month, for the same color, for the same season.
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    The Prairie Lines – Today Leap And Stop Time

    South Londoner Bill Bawden has been releasing delicate ambient music since 2005 under various guises, most notably albums and EPs on Serein, 12Rec, Resting Bell, Audio Gourmet and Rural Colours under the name Herzog. In the other side, since 2015, he records under the moniker The Prairie Lines, and presents his second complete LP : Today Leap And Stop Time.
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    Foresteppe – Mæta

    The music of Egor Klochikhin is inspired by the place where he grew up and now lives - Berdsk, in Siberia, or more specifically by his surrounding nature - the Siberian forest-steppe. He works with some various instruments as acoustic guitar, piano, metallophone, whistle, melodica, mandolin and percussion, as well with field recordings recorded and looped into some dreamy, lo-fi and out-of-time sound collages.
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    Ben Rath – Anything Is Possible

    Anything Is Possible is a brilliant collection of eight new tracks, with a total duration of about 45 minutes. Using a lush sound palette with layers of grainy, drenched in reverb, synths, whistling drones, distorted warm guitars and loops of hypnotic samples, Rath creates an intimate album, full of shimmering ambient textures and wistful soundscapes, with an orchestral feel to it. Carefully mastered by George Mastrokostas (aka Absent Without Leave), Anything Is Possible is a wonderful album, highly recommended for devotees of Fennesz, Eluvium, Benoît Pioulard and Tim Hecker.
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    David Newlyn – Collected Fictions

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 280 gsm green-grey cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 170 gsm off-grey cardboard. Collected Fictions is made up of eight new tracks, with a total duration of something more than 32 minutes. Minimal piano chords, haunting melodic guitars, hazy synths, lo-fi drum patterns, rusted electronics and field recording tapes, all gracefully blending into a superb mixture of soothing ambient and slow moving electronica. Beautifully mastered by George Mastrokostas (aka Absent Without Leave), Collected Fictions is a sublime album, highly recommended for devotees of The Gentleman Losers, Benoît Pioulard and Wil Bolton.
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    Ian Hawgood – Light

    Ian Hawgood is a multidisciplinary artist, educator, instrument builder and sound engineer. He is the curator of the Home Normal, Tokyo Droning, Nomadic Kids Republic, Koen Music, and Folk Reels labels. He is well-known for supporting the early net-label scene and his sound design work has featured in installations and galleries around the world. His work as a mastering engineer features heavily across the ambient, experimental and post-classical scenes, and he currently writes music for theatre and film. His solo works have featured on a number of labels over the past ten plus years, and among his many collaborations he is perhaps best known as the sound architect behind the Black Elk quartet, as well as his work with Bvdub, Danny Norbury, and Maps and Diagrams. After spending much of his adult life living in Japan, he currently resides in Warsaw, Poland. Since 2012 he has been working on creating music from old disused reel to reel recorders, his childhood piano, and an array of vintage synths he has been collecting for the better part of twenty years now. ‘光’ is his first fully developed solo album in 6 years, alongside his latest work with James Murray under their ‘Slow Reels’ guise.
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    Xu – Whisper My World

    Xu is the solo project from Nicola Fornasari an italian musician and composer born in 1977. He’s also part of the following bands: La Petite Vague, Xu(e), Twyxu, Zero Wait enSemble. He presents his fifth album under the moniker Xu, and for the second time on Eilean Rec. His works have been released on Audio Gourmet, Cathedral Transmissions, Eilean, Flaming Pines, Many Feet Under, Twice Removed and more.
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    Ben McElroy – The Word Cricket Made Her Happy

    Ben McElroy is an ambient/drone/folk music maker living in Nottingham, U.K. Ben’s sound is typically based around acoustic instruments such as guitar, strings and voice with a little additional computer based processing and his work is influenced by artists as diverse as Pauline Oliveros, Sharron Kraus and Ralph Vaughn Williams. Since 2016 he has recorded two full length Lp’s, on Whitelabrecs and Unknown Tone. He presents on Eilean Rec. his third one.
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    Amuleto – Acre

    Amuleto is Francesco Dillon (cello, prepared cello, feedbacks, other strings, objects) and Riccardo Wanke (guitars, keyboards, electronics, synths, harmonium). The duo takes its name from Roberto Bolaño’s novel and seeks to trace invisible links among distant geographical and cultural spaces, words and sounds. Good part of the inspiration comes from literature, sounds, images coming from various sides of the world. Amuleto's music emerges as a combination between contemporary, experimental and electronic music with influences of folk and classical traditions and improvisation. Amuleto’s first release “11h15 local weather forecast” (Die Schachtel, 2010) has received positive reviews from international specialized press (BlowUp, The Wire, Vital Weekly). In 2015, the duo published an extended project (over 2h of music, 2CD, postcards, texts and photos) entitled “No para siempre en la tierra sólo un poco aquí” . The record has been selected as the best releases of the year by the Italian magazines Solar Ipse and Blow Up and reissued in 2017.
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    Federico Dal Pozzo – Untitled_VNZ

    “Untitled_VNZ” is an acousmatic concert dedicated to Venice and its sound. A sound that vibrates of water, stone, re, metal , all of which in a continuous movement of sensorial and mnemonic evolution. Time becomes water that collects re exes of our hearing and later absorbing to design a story of echo in new notions of forms. An orchestrated composition from the city's topology, a city that makes one think of music papers in a continuously played music: the scores come together like sea waves, the pentagram bars are canals with its numerous “legato” of bridges, of high churches windows, and let's not forget the violins on the edge on the gondolas. Its Music is bigger than the orchestra, and there is no hand big enough to ip the score sheet.
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    Fallen – Glimpses

    Black / silver cdr in folded card sleeve with grey paper folded and printed insert. Black 'obi' style strip with silver hand written artist label. Comes in a stamped, sealed envelope and plastic film outer sleeve... I composed and recorded “glimpses” at night (for the most part) feeling really calm and serene whilst recording the pieces because of the absolute silence, because of the cold outside the windows, because of the rain outdoors. “glimpses” tries to explore human emotions and feelings, acting like a cold heartless person, or like an empathetic one, or feeling very angry or totally at peace with the rest of the world. “glimpses” is having coffee at night, “glimpses” is crying gently while thinking of a dear childhood memory, “glimpses” is listening to your loved one’s breath while sleeping in the bed near to you. All this happened while I was recording in silence, while my heart was quietly beating...
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    Blackfilm – Zero One Seven

    On "Zero One Seven", Blackfilm merges tracks spanning across drum and bass, dub and electronic. The sounds on the album are built from the ideas on the original Blackfilm "S/T“ and "Along the Corridors“ and progress to a sound built on new ground mixing modern production techniques and influences while at times referencing the Blackfilm sound we know from his previous releases. The album maintains a consistent focus on atmospherics, beats and heavy bass ranging from darker dub and drum and bass influences to vocal tracks and complex ambient soundscapes. Production wise, the familiar Blackfilm style incorporating the use of synthetic sounds mixed with samples enables the album to create an intriguing, shifting atmosphere as the album progresses. A dystopian journey through haunting vocals, hypnotic drum patterns and complex sound design.
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    Ensemble Economique – Radiate Through You

    The latest long-player of devotional noir by Humboldt County romantic Brian Pyle aka Ensemble Economique was originally titled Music Saves Lives, in response to the misguided backlash directed at underground artists in the wake of the tragic Ghost Ship fire in Oakland. Since Pyle’s career threads through a decade and a half of Northern California’s independent experimental music community, the blow struck a uniquely deep and personal chord. As a way to process, he began recording at his coastal home studio in Manila, California, channeling inner states of mind, seeking something “more personal and intimate, the idea of love, and shining through.” Radiate Through You delivers on its title, exuding a nuanced catharsis, alternately tempestuous and transcendent, forlorn but undefeated. Vaulted heavens of interwoven electronics ebb into hushed dirges of skeletal percussion and candlelit guitar. Roiling noise seethes, swells, and subsides as an ashen string arrangement rises in the mix, keening a somber, circular elegy, as if overtaken by memory on a long walk alone. Two key guest appearances lend the album even more dynamism and drama: the first by Barcelona synthesist Alexander Molero on the questing, celestial opener, “Music Is Life,” the second by New Zealand psychic sisters Purple Pilgrims on the devastating finale, “Blue Hour.” Both showcase impressive shades of Pyle’s finesse as producer and muse, sparking his collaborators to new heights. Whether taken as expressionist memorial, therapeutic song cycle, or something more ambiguous, Radiate Through You stands as a pensive, passionate statement by an enduring light of the West Coast canon, drawn from “a deep, special place of giant emotions, feelings.”
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    Alaskan Tapes – You Were Always An Island

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    You Were Always An Island opens with a downpour of rain. Staring out at its constant fall, listeners can only wait for it to stop. The music’s already waiting: for someone, and for a moment that will never arrive… Alaskan Tapes aids in the clear-up operation, helping to cleanse the air if not the growing solitude. Quiet drones and sullen strings dispel the rain, but it lingers in the streets, overflowing around the mouth of its gutter. The music has been invaded by a longing which spreads like a tendril of ink in clear water, bruising the atmosphere with its purple, sour colour. An event shakes the soul with the magnitude of an earthquake. In this case, the cruelty of distance and the greater cruelty of war which separates a couple. As a man leaves to fight, his beloved has no other choice but to wait for his return. She sends unanswered prayers. His absence grows longer with every sunset. Unable to wait and growing increasingly anxious, she sets off to look for him, a lighthouse offering a faint lifeline in the gathering gloom, only to sadly learn of his death. The separation is permanent – death us do part.
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    Fallen – ást (Deluxe Version)

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    This is the limited edition, hand made version of "ást", by Fallen. Available in an edition of only 60 copies. Each factory pressed disc comes in a vintage, inside and out, uniquely collaged 5" reel to reel tape box. Each painstakingly artified box comes with a factory pressed disc inside encased in a heart cut, red fleece, fold over sleeve. Each also contains an accompanying, vintage French Tarot card, a hand printed insert, your very own cut out heart, and other bits of mysterious paper ephemera.
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    Fallen – ást

    Limited edition hand worked, black digipak version in an edition of just 40 copies...
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    Gianluca Favaron – Variations (Fragments of Evanescent Memories)

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    CD + handmade cover by Stefano Gentile, ltd. 100 copies... Gianluca Favaron (Under the Snow, Zbeen, Ab'she) returns with a new work based on the study of repetition. "Even variation is a form of repetition": quoting Arnold Schönberg, Favaron has elaborated his concept of repetition by frangling the sound to break it down into infinitesimal parts. Therefore adding a new piece in his discography that represents an essential starting point for new research. In the sound. Of sound.
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    Fabio Orsi | Alessandra Guttagliere | Giardino forico n°1 – Napoli

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    60 page deluxe artwork-photo book (cm 17x24) + 2xCD, ltd. 100 copies... The city has passed through us like a big wave of dust carried by the wind we found ourselves covered by debris, passing skeletons shadows of leaves, passages, spells, voices of pianos from the windows memories of places that live in several times ardours and fervours and odours we have immortalized them. We have brought the simulacra with us we have watched them from the Estrada Atlantica, from the singing pits of Salento, from the immense Metrosideros of Monserrate with the organ of a church in the Itria Valley, from our home in one year of work the Giardino Forico appeared it behaves like life, it brings it appropriates the airs, the colours, the languages and the ways it does not represent it shows its vigour which is our own. The Giardino Forico is a way of giving back a place, a knowledge, a humanity through our languages. It is the result of a vital artistic process, we listen and observe the space and we speak it.
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    Compilation of experimental music from Vietnam

    “Emergence” is an introductory compilation of experimental music from active Vietnamese artists, foreign artists who are based in Vietnam and those who collaborate with Vietnamese artists. This compilation features ten tracks of both established and emerging artists from all backgrounds.
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    Kate Carr – I Ended Out Moving To Brixton

    A soundscape reveals a lot about a place, through its presences, its silences, its rhythms and its pauses. A soundscape is forever being made by us all. It stitches us together in ways both subtle and sometimes overwhelming. I think in both its openness and fragility the soundscape can reveal something about the process of community making, and its sensitivity to change offers both opportunities and risks. Kate Carr, Brixton, London.
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    Benjamin Finger – For Those About To Love

    Norway’s Benjamin Finger plunges the listener into a pulsing, sparkling disorienting world in For Those About To Love. Part collage, part dream; by turns joyful, sombre, heartfelt and playful this album is a layered and diverse journey into the mysteries of the heart.
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    Compilation of Iranian experimental music

    Faced with the task of writing about artists from Iran it is tempting to oversimplify and go with the easiest way to address them -- the way most western media has always treated art coming not just from Iran but from middle east in general. This approach places artists exclusively within the political context presented by the mainstream media, and only shows you the day-to-day politics of governments in the region. This biased approach means artists' works are only interpreted in relation to a reduced conception of the political context. By seeing things this way you only have a handful of artists addressing certain issues with enough exaggeration to be newsworthy.
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    Michael Vallera – All Perfect Days

    On All Perfect Days, Michael Vallera’s second LP for Denovali, he continues to distill his singular, cinematic approach to sound. Acting as both performer and producer, Vallera constructs a lush, deeply emotional album that jettisons the overt rhythms and explicit drum programming that characterized much of his earlier work. Instead, in its tightly focused reliance on little more than guitar and amplifier feedback, supplemented by piano and synthesizer, the album explores a sparse but rich palette that evokes the ambient works of Harold Budd—although filtered through Vallera’s own sharp-edged sensibility. Recorded with Greg Norman at Electrical Audio and mastered by Daniel Rejmer, All Perfect Days adds to the mounting evidence that Michael Vallera is among the most assured and compelling artists to emerge from Chicago in recent years. Michael Vallera is a musician and photographer who lives and works in Chicago. Prolific as both a solo artist and collaborator, he has released albums under his own name and as COIN (Opal Tapes), with percussionist Steven Hess as Cleared (Immune Recordings), and with Joseph Clayton Mills as Maar (Umor Rex, Entr’acte). He sings and plays guitar in the experimental rock group Luggage (Don Giovanni Records). An MFA graduate of School of the Art Institute of Chicago, his work has been exhibited in Chicago, New York, Los Angeles, and elsewhere.
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    Sankt Otten – Zwischen Demut und Disco

    The duo Sankt Otten from Osnabrueck (Germany), founded in 1999 and consisting of Stephan Otten and Oliver Klemm, releases music on Denovali since 2009. After Männerfreundschaften und Metaphysik (2016), a collaboration record with experimental guitarist „N“, Sankt Otten finally release their first new album since Engtanz Depression (2015). Their new record starts with Das endgültige Scheitern der Melancholie (en.: the final failure of melancholy), which seems to be unfamiliar due to its euphoric mood, but also shows that Sankt Otten consequently develop their music in a sovereign way. The title track Zwischen Demut und Disco (en.: Between humility and disco) then particularly brings to the fore the duo’s admiration of analog synthesizers - timeless instrumental music without nostalgic flashbacks to the past. Warm electronica, human being and machine hand in hand, infused by an almost danceable beat who induces head-nodding.
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    Cameron Day – The Castle and The Garden

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    Made by hand, Thirteen variations of beautiful antique (early 1900's) engraved / embossed books from the Little Leather Library collection, 2 x mini CDs (finger-printed), 2 x circular coloured covers, 13 x A6 prints on luxury Tintoretto Gesso card, scented. All of the above rests inside stitched / sealed Japanese brown waxed bags. Download code Made with love...
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    Moss Covered Technology – And His Many Seas

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    'His Many Seas' is a personal voyage, as the artist’s father was suffering from cancer at the time of the album being written. A well-travelled man, 'His Many Seas' sets sail to quietly conquer and navigate another unexplored, painful continent: the frightening landmass of coming to terms with his father’s illness, steering through the trials of life as well as acting as a dedication to his father’s love of travelling. The illness itself heralded the beginnings of a new journey. Recalling the feel of the Arctic Ocean, 'His Many Seas' thematically revolves around exploration, and the release includes vintage nautical Nories tables, Elisha Kent Kane - Arctic Exploration inserts along with 'famous explorer' double side prints. ... Made by hand, Hand made book-bound CD covers (1260 g/qm FSC certified), lined inside / outside with luxury Italian paper from Florence, glass mastered CD (not CDR), vintage nautical Nories tables (circa. 1920) resting inside old glassine bags, vintage Elisha Kane Arctic Exploration inserts (circa. 1869), a collection of 9 x double sided A6 'Hassan's Greatest Explorers' prints, dried flowers. All rests inside luxury hand cut envelopes. Individually numbered / stamped. Made with love.
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    Prairie – After the Flash Flood

    Prairie is the project of multi-instrumentalist and producer Marc Jacobs, hailing from Brussels with roots in The Netherlands. He previously released an EP (I'm so in love I almost forgot I survived a Disaster - 2013) and an LP (Like a Pack of Hounds - 2015) on the Berlin imprint Shitkatapult. On stage, Prairie plays with two or three musicians and together they re-create a free association of musical ideas and atmospheres. Prairie has played in selected venues and festivals across Europe and toured with Apparat in 2016.
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    Nadia Struiwigh – WHRRu

    "WHRRu" combines the warm electronics and dynamic sound of Nadia's previous works with a new film-composing orientated cinematic sound and approach. The result is a ten tracks album with electronic listening music for quiet nights and long journeys. Nadia says: '"WHHRu" is written with emotions and memories from my childhood. The use of acoustic instruments and synthesizers gave me the opportunity to settle a past/ future concept for all the chapters. Going back to those moments helped me to close a book and to find a safe place within myself. My own story has just started.'
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    Birds Of Passage – The Death of Our Invention

    Masterworks of minimalism and glacial beauty. With Birds of Passage, New Zealand based Alicia Merz presents us with an endearing invitation into her fragile world, a captivating journey through the landscapes of her emotional euphoria and agony, a further commitment to musical experimentation. The cold minimalist-drones, distorted field recordings, and sparse instrumentation, illustrate an icy, desolate and dark world. With allusions to dark-pop and classic broken-folk, the reverb drenched instrumentation, metaphorical fairytale lyrics, and anti-climactic compositions remind us that Alicia Merz is a singer songwriter for people who don't like singer songwriters. After four years of silence, Merz returns with the fourth full length 'The Death of Our Invention'.
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    Terminal Sound System – The Endless Sea

    From Rebirth and a four track recorder in the year 1999 to broken tape machines, untuned guitars/synths and extreme signal processing an eternity later, Terminal Sound System has remained the primary musical outlet for musician/producer Skye Klein. It is about stories. There is a narrative, albeit disjointed. Tends to come in threes, like dramatic characters; introduction, exploration, disintegration. It’s about stories, creating a world with sound and words and exploring that until it (inevitably) folds back on itself and starts to self-reference, decay, but also sprout appendages, potentialities.
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    Barry Kernachan – Layers

    Layers is a collection of piano pieces by Barry Kernachan. The improvised nature in which Kernachan composes has delivered a relaxed and free-flowing album without control or restraint. “Playing the piano for me is a form of meditation. A piece just starts with a single note or simple melody. I try not to control anything and just let the idea flow,” says Kernachan. “This, for me, is an important part of composing – my ideas are born in this way rather than being predetermined.”
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    Gray Acres – Gray Acres

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm dark gray cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 180 gsm gray cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. The self-titled debut album of Gray Acres consists of seven wonderful tracks, containing many of the ambient elements of their Hotel Neon sound but with a sometimes softer and even more dreamy feel. Utilizing multiple layered emotional textures of immersive drones, walls of effected guitar swells, subtle piano and field recordings, Gray Acres create an impressive album that captivates the listener with its beautifully evocative soundscapes. The album was mastered by Ian Hawgood, giving more range and depth to its sounds.
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    Yndi Halda – A Sun​-​Coloured Shaker

    This is a limited edition of 300 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 285 gsm light yellow-cream cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 180 gsm ochre-brown cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. yndi halda see A Sun-Coloured Shaker as the passing of night that follows Under Summer’s day. The dawn after the album’s dusk has faded. They wanted to express the realisation that something as simple and everyday as sunrise can be so truly life-giving. That the natural rhythm of nightfall and daybreak is a foundation of reality and being.
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    A Lily – Ten Drones On Cassette

    This is a limited edition of 200 handmade and hand-numbered collectible copies. The physical disc includes the edited versions of all tracks. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 160 gsm moss green cardboard. It also comes bundled with a download code coupon which includes as bonus the full versions of the tracks, each one between 37 to 50 minutes, and a Sound In Silence card. Ten Drones On Cassette, A Lily’s third full-length album and first since 2011, consists of ten new compositions with a total duration of something more than 50 minutes. As the album title suggests, the concept of the album is based on the idea of recording a collection of ten cinematic ambient and minimalist drone tracks, each one on a different cassette. Each track is named after and inspired by a specific person and takes up about a complete side of a cassette. The project was firstly self-released by A Lily in spring 2017 in just ten cassettes, each limited to one copy and including a different track. Ten Drones On Cassette was recorded using various instruments, including guitar, voice, organ, clarinet, brass and many others, and treated with a multitude of effects and acoustic processing, resulting in a sublime collection of dreamy soundscapes and hypnotic textures.
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    Sweeney – Middle Ages

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 300 gsm cream recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist, lyrics and information printed on a 110 gsm light yellow fabric paper. It also comes bundled with a download code coupon and a Sound In Silence card. Middle Ages is a brilliant collection of ten more song-based tracks than his usual Panoptique Electrical sound, with a total duration of about 37 minutes. With the help of his collaborators Jed Palmer and Zoë Barry who provide cello, accordion, string arrangements, guitars and bass, Sweeney creates a peaceful and emotional album full of beautiful textures and sonic landscapes. Centered on his distinctive voice and melodic piano lines, Middle Ages magnificently merges songwriting, modern classical and ambient sounds with minimal beats and field recordings. Mastered by Antony Ryan (ISAN) in Denmark, Middle Ages is a beautifully breathtaking album, highly recommended for devotees of Anohni, Scott Walker and David Sylvian.
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    Panoptique Electrical – Quiet Ecology

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 360 gsm dark green cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 160 gsm cream recycled cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. Quiet Ecology is a sonic memorial to these spaces and a musical act of quiet preservation. It’s a relaxing collection of six quiet compositions, with a total duration of something more than 45 minutes, which sets out to slow things down. Centered on gentle piano melodies and a background full of atmospheric textures and swelling cello drones, Quiet Ecology balances between modern classical and ambient soundscapes, in the vein of both ambient pioneers like Brian Eno and Harold Budd and artists like Max Richter and A Winged Victory For The Sullen.
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    Yellow6 – About The Journey

    This is a limited edition of 100 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 250 gsm dark grey cardboard envelope with the front cover image printed on a polaroid style photo paper and two insert sheets containing tracklist and information printed on a 190 gsm saffron yellow cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. About The Journey is made up of six new tracks with a total duration of about 75 minutes. All tracks, recorded in the first half of 2017, were inspired by the concept of the album which is about the journey of life. Knowing perfectly how to create his wonderful cinematic soundscapes, Yellow6 offers a beautiful chilled out collection of sounds where loops of ambient textures and layers of nostalgic guitar melodies are filled with a background constructed by minimal beats and droning feedback. The result is one of the finest Yellow6 works to date which appeals to all fans of atmospheric music of artists like Labradford, Brian McBride, Windy & Carl, Low and Roy Montgomery.
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    con_cetta – Origine

    This is a limited edition of 150 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 160 gsm moss green cardboard. It also comes bundled with a download code coupon and a Sound In Silence card. Origine, con_cetta’s third full-length album and first solo release in nine years, consists of eight new compositions with a total duration of something more than 30 minutes. Meticulously built up from simple abstract piano melodies, harmonious ambient drones, washes of electronic treatments and heavily processed guitars, field recordings and manipulated found sounds, Origine is a mesmerizing and enchanting album full of emotional and evocative sonic vignettes, rich in tone and texture.
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    Nanook of the North

    Nanook of the North are Stefan Wesołowski and Piotr Kaliński (also known as Hatti Vatti) - two acclaimed Polish musicians whose simpatico merging of compositional roles are blended as seamlessly as their use of acoustic and electronic sounds. Recording sessions broadly found Stefan playing violin and piano parts with additional synth touches and Piotr taking care of electronics, more synths and the final mix. Upon being invited by the Sopot Film Festival next to their hometown of Gdansk to perform an improvised score to a film screening, the duo chose Robert J. Flaherty’s classic 1922 silent movie of the same name - ‘Nanook of the North’. Keen to maintain and nurture the initial ambient essence of the film, the duo travelled to Iceland where they recorded the album in Reykjavík and later mixed it in Greenland.
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    Orson Hentschel – Facades

    nly six months after his sophomore album, which has showcased a "tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound" (Decoder) and an "analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge" (Groove), Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, "Facades" are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective.
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    Waelder – Non Places

    Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl - strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.
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    Alapastel – Hidden for the Eyes

    Each heavyweight custom double sleeve is individually rubber-stamped and numbered by hand in a limited first edition of one hundred and fifty copies for the world. Every package includes a concealed handwritten download code, glass-mastered CD and insert with original artwork by Silvia Bobeková and an individually numbered, handwritten dedication from the artist himself. Hidden for the Eyes is the exquisite debut album from Slovakian composer Lukáš Bulko recording as Alapastel. This treasure trove of neo-classical grandeur, electro-acoustic production and subtle folk undertones was eight years in the making and clearly signals the arrival of a unique and original new talent. Lukáš speaks with spirited and assured musical voice in an ambitious, pastoral and otherworldly collection, enhanced by the vocal talents of Alex Lukáčová and Marián Hrdina and the sensitive mix and mastering of Adam Dekan.
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    Aries Mond – Come On Let’s Wait

    southern France. He started to compose with environmental sound recordings in 2002. He toured with different solo projects, playing "acousmatic" concerts. He often collaborated with contemporary theatre. From 2013, he started to focus on instrumental music, with a particular interest for piano, and to share tracks under Aries Mond pseudonym. His first release, "Come On Let's Wait" came from his land, where, Indian Summer 2016 turned into an endless Autumn lasting the whole Winter of 2017. Before time definitively stops, he decided to record a few piano takes again.
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    Emmanuel Witzthum – Songs Of Love And Loss

    Emmanuel Witzthum - violist, composer, multidisciplinary artist, and lecturer. Studied at the Manhattan School of Music, NYC with Michael Tree of the Guarneri Quartet. Performed with numerous orchestras such as the Orpheus Chamber Orchestra in NYC, the Berlin Staatskapelle, ensemble Intercontemporain and others. As electronic musician and composer participated at the year long cursus at IRCAM, Paris and was guest composer of the DAAD artists program in Berlin. Performed at the ZKM, the 104 Paris, the Matadero Madrid, the Jewish Museum Berlin amongst others and recorded for Deutsche Grammofon under Pierre Boulez with ensemble Intercontemporain. Seven years after his first album released on the wonderful label Cotton Goods, he presents on eilean rec. his second opus. 4 tracks, 4 Haikus like 4 seasons. In parallel, Since 2010, he has recorded with Craig Tattersall (Humble Bee) under the project E & I, three releases and one Ep.
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    Benjamin Finger – Scale of Blindness

    Benjamin Finger is a composer, electronic music producer, DJ, photographer and film-maker based in Oslo, Norway. Since his 2009 debut solo album “Woods of Broccoli”, he has produced a prolific output of films and music with a healthy disregard for genres. His works have been released on How is Annie Records (NO), Time Released Sound (US), Digitalis Recordings (US), Watery Starve Press (US), Eilean Records (FR), Shimmering Mood Records (NL) Blue Tapes and X-Ray Records (UK), Oak Editions (IT), Sellout! Music (NO), and Flaming Pines (UK).
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    Śruti – Heard, Unspoken

    Śruti is the collaboration between Egyptian experimental musicians Omar El Abd (Omrr) & Mohammed Ashraf (Pie Are Squared). "Heard, Unspoken" is their debut album, created over the past two years between Cairo, Egypt & Ravenna, Italy.
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    Benjamin Louis Brody – Far Away Music

    Far Away Music sees Benjamin Louis Brody reimagine his previous compositions to create what he calls “music inside of music”. “When I started this project, I asked myself whether I could give my music depth perception, similar to a painting or drawing – the classic illusion of train track perspective that gives a painting a certain sense of distance,” says Brody. “With Far Away Music, I set out to do that with sound.” “The music and sounds you hear could only have been created through computer technology. By manipulating the speed and texture its allowed me to change the perspective of the original content,” says Brody. “Far Away Music represents how I experience my work in a more personal way – it’s vast and subconscious.”
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